"Between the Hawthorn and Extinction" by Stuart Hyatt, Player Piano, Julien Marchal, Field Works had its release date on May 1, 2020. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 14 in Field Works: Ultrasonic by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Between the Hawthorn and Extinction's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Between the Hawthorn and Extinction by Stuart Hyatt, Player Piano, Julien Marchal, Field Works is Allegro (fast, quick, and bright), since this song has a tempo of 151 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dream Within a Dream | Obay Alsharani | E♭ Major | 3 | 5B | 73 BPM | ||
| Death Cleaning | Pan-American | E♭ Minor | 2 | 2A | 102 BPM | ||
| Warm Field | Kallia Vyn | A♭ Minor | 5 | 1A | 196 BPM | ||
| Unveil | Nightports, Matthew Bourne | E Major | 2 | 12B | 81 BPM | ||
| Cabra | Adrian Crowley, Matthew Nolan | F Major | 2 | 7B | 116 BPM | ||
| Formation 1 | Field Works, Stuart Hyatt | C Minor | 1 | 5A | 61 BPM | ||
| A secluded channel | Kin Leonn, Hiroshi Ebina | G Major | 1 | 9B | 86 BPM | ||
| #3 (Rhubarb) | Brendan Eder Ensemble | F♯ Minor | 1 | 11A | 63 BPM | ||
| Interlude + Main Theme | Shida Shahabi | C Major | 1 | 8B | 70 BPM | ||
| Just Before Zero | Nautilum | D Major | 0 | 10B | 164 BPM | ||
| You Will Find | IKSRE | G Major | 3 | 9B | 140 BPM | ||
| Outside In | Jim Perkins, Joanna Forbes L'Estrange | E Major | 2 | 12B | 174 BPM | ||
| Wave III | Elori Saxl | G Major | 1 | 9B | 77 BPM | ||
| Repeating Dreams | PSYCHART | E♭ Minor | 2 | 2A | 102 BPM | ||
| Movement 7 - Pt. 2 | Erland Cooper, Daniel Pioro | C Major | 1 | 8B | 103 BPM | ||
| Calm Motion | Aure Veyra | E♭ Minor | 2 | 2A | 125 BPM | ||
| afternoon | Julianna Barwick | G Major | 1 | 9B | 171 BPM | ||
| Taking Off | Quartz Rosa | F♯ Major | 2 | 2B | 79 BPM | ||
| Nowhere Arch | Omori | E♭ Minor | 2 | 2A | 102 BPM | ||
| Cosmos, My Dear | E Ruscha V | F Minor | 3 | 4A | 107 BPM | ||
| Rain and Cicadas | Ben Seretan | A♭ Major | 0 | 4B | 78 BPM | ||
| Station 6 | Field Works, Hanna Benn, Janie Cowan, Masayoshi Fujita, Stuart Hyatt, Qasim Naqvi, Pick a Piper | B Major | 4 | 1B | 150 BPM | ||
| Splittrade tankar | Irya Gmeyner, Martin Hederos | A Major | 2 | 11B | 32 BPM | ||
| 8pm Crickets | Ben Seretan | D Major | 3 | 10B | 69 BPM | ||
| Mirror II | Nico Georis | C Minor | 4 | 5A | 88 BPM |