"Forgiveness" by Alexandre Desplat, Eldbjørg Hemsing had its release date on November 7, 2025. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 36 out of 37 in Frankenstein (Soundtrack from the Netflix Film) by Alexandre Desplat. Forgiveness is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Forgiveness by Alexandre Desplat, Eldbjørg Hemsing is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Milo's Theme | Jeff Beal | D Major | 2 | 10B | 87 BPM | ||
| Visions of Gladys | Bryce Dessner | A♭ Major | 2 | 4B | 102 BPM | ||
| Herz und Mund und Tat und Leben Variation (After Herz und Mund und Tat und Leben, BWV 147: VI. Wohl mir, daß ich Jesum habe) [Arr. for Violin, String Quintet & Piano by Jan-Peter Klöpfel] | Johann Sebastian Bach, Jan-Peter Klöpfel, Eldbjørg Hemsing, Norwegian String Quintet, Tim Allhoff | B♭ Major | 2 | 6B | 73 BPM | ||
| The Quest for Pan | Bear McCreary, Sparks & Shadows | C Minor | 4 | 5A | 118 BPM | ||
| Burning Angel | Alexandre Desplat, Eldbjørg Hemsing | D Major | 1 | 10B | 72 BPM | ||
| A Life Well Written | Christopher Willis | C Major | 3 | 8B | 91 BPM | ||
| Bubbles and Rainbows | John Powell, Stephen Schwartz | E Major | 1 | 12B | 84 BPM | ||
| The Kiss | Nicholas Hooper | E♭ Major | 0 | 5B | 91 BPM | ||
| The Tower | Alexandre Desplat | D Major | 2 | 10B | 179 BPM | ||
| Grand Cycle | Jerskin Fendrix | G Major | 0 | 9B | 134 BPM | ||
| The Heart of Infinity | Daniel Pemberton | A Major | 1 | 11B | 169 BPM | ||
| What We Left Behind | Pat Dimitri | G Minor | 1 | 6A | 87 BPM | ||
| Hades and Persephone's Theme | Paul Edward-Francis | E Minor | 1 | 9A | 89 BPM | ||
| 聖なる根源 | Yoko Shimomura, Haru Hayashi | A♭ Major | 0 | 4B | 96 BPM | ||
| The Voice in My Heart - 2025 Live Version | 田尻真高, 東京シティ・フィルハーモニック管弦楽団, 合唱団「Barzz~鳥の吟遊詩人たち~®」 | F Minor | 3 | 4A | 79 BPM | ||
| CCD | Jerskin Fendrix | B♭ Minor | 0 | 3A | 108 BPM | ||
| Pacific 3 | Craig Armstrong, Lena Angelina von Almen, Guy Sternberg | C Major | 3 | 8B | 171 BPM | ||
| Jeder Neue Tag - Epilog | Martina Eisenreich, Michael Kadelbach | F Minor | 2 | 4A | 94 BPM | ||
| Music For Disappearing Coastlines | Kyle Preston, Emanuel Pavon, Damian Bolotin | B♭ Major | 2 | 6B | 73 BPM | ||
| Enjoy Your Stay | Ian Hultquist, Sofia degli Alessandri | D Major | 1 | 10B | 87 BPM | ||
| The Cut | Bryce Dessner | F Major | 4 | 7B | 135 BPM | ||
| Journey to the Cemetery | Emmy Rossum, Andrew Lloyd Webber | D Minor | 0 | 7A | 88 BPM | ||
| Last Days of Innocence | Christopher Willis | D Major | 2 | 10B | 49 BPM | ||
| The Board | Mark Orton | E♭ Minor | 1 | 2A | 96 BPM | ||
| Main Theme (From "Rain Man") - Church Organ Version | Hans Zimmer, Aureon Vale, Sacred Mystery | B♭ Major | 2 | 6B | 73 BPM |