Atahualpa Yupanqui's 'Le Tengo Rabia Al Silencio' had a release date set for January 1, 2007. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Atahualpa Yupanqui's "La Humilde" album is number 21 out of 44. Based on our statistics, Le Tengo Rabia Al Silencio's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Le Tengo Rabia Al Silencio by Atahualpa Yupanqui to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Provincia de Buenos Aires - En Vivo | Omar Moreno Palacios | G Major | 5 | 9B | 170 BPM | ||
| Zamba de Lozano | Tomás Lipán | B Minor | 4 | 10A | 143 BPM | ||
| Con los Pies Sobre la Tierra | Isabel Parra | F Major | 4 | 7B | 78 BPM | ||
| El timido | Raúl Carnota | D Major | 4 | 10B | 151 BPM | ||
| Milonga del Solitario | Jose Larralde | D♭ Major | 3 | 3B | 124 BPM | ||
| Quisiera Que Salga un Tigre | Luciana Jury | F♯ Minor | 4 | 11A | 136 BPM | ||
| Chamarrita de la Tarde | Raul Barboza, Daniel Diaz | D Minor | 5 | 7A | 126 BPM | ||
| No Soy de Aquí... Ni Soy de Allá | Jorge Cafrune | D♭ Major | 2 | 3B | 109 BPM | ||
| A La Abuela Emilia | Teresa Parodi | A Major | 3 | 11B | 81 BPM | ||
| Loncomeo del Amor Mapuche | Los Hermanos Berbel | A♭ Major | 1 | 4B | 126 BPM | ||
| Las Golondrinas | Jorge Cafrune | D Major | 2 | 10B | 106 BPM | ||
| UN RIO DE VINO | Chabuca Granda | B♭ Minor | 0 | 3A | 117 BPM | ||
| Vals para el Ultimo Sueño | Orlando Vera Cruz | G Minor | 7 | 6A | 153 BPM | ||
| Milonga con cuatro orillas | Jorge Fandermole, Fernando Silva | G Major | 3 | 9B | 138 BPM | ||
| Adagio en Mi País | Alfredo Zitarrosa | C Major | 2 | 8B | 90 BPM | ||
| Zamba del Regreso | Los De Salta | D Major | 3 | 10B | 163 BPM | ||
| Algarrobo, algarrobal | Eduardo Falú | F♯ Minor | 2 | 11A | 91 BPM | ||
| Las Golondrinas | Eduardo Falú | B♭ Major | 4 | 6B | 124 BPM | ||
| La Nochera | Eduardo Falú | F Major | 4 | 7B | 167 BPM | ||
| El Duende de la Siesta | Raul Barboza | B Minor | 5 | 10A | 96 BPM | ||
| Camino Real | Ortiga | E Minor | 4 | 9A | 125 BPM | ||
| Bandido (En Vivo) | Patricio Manns | B Major | 4 | 1B | 100 BPM | ||
| Coplas de la Luna Llena | Jorge Fandermole | B Minor | 5 | 10A | 73 BPM | ||
| Zamba para Olvidarte | Daniel Toro | C Minor | 3 | 5A | 83 BPM | ||
| Chasque Para La Costa | Orlando Vera Cruz | A Minor | 4 | 8A | 146 BPM |