"Imaginary Short Wave Reception" by Casino Versus Japan had its release date on March 23, 2010. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Imaginary Short Wave Reception's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Night On Tape". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Imaginary Short Wave Reception is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Imaginary Short Wave Reception by Casino Versus Japan having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 1700 | Placid Angles | F♯ Major | 1 | 2B | 170 BPM | ||
| Cross Selling | Oval | B Major | 5 | 1B | 104 BPM | ||
| Pop 3 | GAS | D Minor | 4 | 7A | 85 BPM | ||
| Everything Turns Black to Blue | Slow Attack Ensemble | A Major | 1 | 11B | 74 BPM | ||
| Paper or Plastic? | Technicolor | E♭ Major | 8 | 5B | 120 BPM | ||
| Americans | Oneohtrix Point Never | A♭ Major | 9 | 4B | 88 BPM | ||
| Brilliance | Christoph De Babalon | D♭ Major | 1 | 3B | 92 BPM | ||
| Parallel Minds | Oneohtrix Point Never | E♭ Minor | 4 | 2A | 114 BPM | ||
| Satellite Anthem Icarus | Boards of Canada | D Major | 5 | 10B | 104 BPM | ||
| STRESSES | Friendzone | B♭ Minor | 1 | 3A | 67 BPM | ||
| Iambic 9 Poetry - Remastered | Squarepusher | B Minor | 6 | 10A | 104 BPM | ||
| Girl/Boy Song | Aphex Twin | C Major | 6 | 8B | 132 BPM | ||
| My Sound | Squarepusher | A Minor | 10 | 8A | 140 BPM | ||
| Yulquen | Autechre | A Minor | 1 | 8A | 148 BPM | ||
| First Steps | Mark Van Hoen | D♭ Major | 4 | 3B | 180 BPM | ||
| Peacock Tail | Boards of Canada | D Major | 5 | 10B | 171 BPM | ||
| Pear Vale | Ilkae | A Minor | 3 | 8A | 112 BPM | ||
| Cascade Peridot | Ilkae | D Major | 3 | 10B | 117 BPM | ||
| Mindless.Wav | ESPRIT 空想, George Clanton | D♭ Major | 7 | 3B | 165 BPM | ||
| Music for Tundra Pt. 1 | Tim Hecker | A♭ Minor | 3 | 1A | 81 BPM | ||
| Spend More Time With Me | The Remote Viewer | D♭ Major | 4 | 3B | 80 BPM | ||
| COAST | architecture in tokyo | F Major | 0 | 7B | 152 BPM | ||
| Fahrenheit Fair Enough | Telefon Tel Aviv | F Major | 9 | 7B | 130 BPM | ||
| Through You | Seefeel | D♭ Minor | 7 | 12A | 104 BPM | ||
| Room 208 | The Future Sound Of London | D♭ Minor | 6 | 12A | 98 BPM |