"Transcendence" by Thomas Farnon had its release date on January 11, 2019. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Transcendence's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Reverie". In this album, this song's track order is #3. The popularity of Transcendence is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Transcendence by Thomas Farnon having a BPM of 173 with a half-time of 86 BPM and a double-time of 346 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Stunning Ordinary | Hannah Parrott | A Minor | 2 | 8A | 106 BPM | ||
| Atonement | Brand X Music | F♯ Minor | 3 | 11A | 116 BPM | ||
| Riding At Dawn | Luke Richards | D Major | 4 | 10B | 90 BPM | ||
| The Big Relief | Kevin Smuts | A Minor | 1 | 8A | 97 BPM | ||
| Road Less Traveled | Fringe Element | F Minor | 1 | 4A | 136 BPM | ||
| Frozen Clearing | Joanna Pena | C Minor | 2 | 5A | 85 BPM | ||
| Don't Let Go | Alice In Winter | B♭ Major | 4 | 6B | 138 BPM | ||
| Mirage | Eternal Eclipse | D Minor | 3 | 7A | 53 BPM | ||
| Dissipate | Gavin Luke | D Major | 1 | 10B | 89 BPM | ||
| No Going Back | Tom Player | D Minor | 4 | 7A | 75 BPM | ||
| February 30 | ABBOTT | D♭ Minor | 1 | 12A | 88 BPM | ||
| Before The End | Twelve Titans Music | E Minor | 5 | 9A | 102 BPM | ||
| From All Who Came Before | BPMoore | E♭ Minor | 1 | 2A | 70 BPM | ||
| Near Light | Ólafur Arnalds, Mari Samuelsen, Hakon Samuelsen, TrondheimSolistene | D Major | 1 | 10B | 132 BPM | ||
| Another World | Niklas Wagner | B Minor | 3 | 10A | 97 BPM | ||
| Nesta | Thomas Farnon | D Major | 2 | 10B | 178 BPM | ||
| Joan Clayton | Abel Korzeniowski | C Minor | 1 | 5A | 90 BPM | ||
| Tomorrow Is Another Day | Jo Wandrini | A♭ Major | 2 | 4B | 118 BPM | ||
| The Deep, the Dark | Tamer | F Minor | 4 | 4A | 120 BPM | ||
| The Ghosts Above | Logan Nelson | B Minor | 3 | 10A | 140 BPM | ||
| Smoke | Thomas Farnon | A♭ Major | 1 | 4B | 90 BPM | ||
| The Path of Silence | Anne Sophie Versnaeyen, Gabriel Saban, Philippe Briand | C Minor | 4 | 5A | 92 BPM | ||
| The Heart Wants | Kerry Muzzey, Andrew Skeet, The Chamber Orchestra Of London | G Minor | 2 | 6A | 84 BPM | ||
| Great Rolling Waves - From "Our Planet" | Steven Price | E♭ Minor | 4 | 2A | 121 BPM | ||
| Prescient | Howard Harper-Barnes | A Major | 3 | 11B | 140 BPM |