"Uncle Sam" by zZz had its release date on May 23, 2005. This song is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Sound of ZZZ". In this album, this song's track order is #10. Uncle Sam is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Uncle Sam by zZz having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Come Close | The Big Idea | D Major | 8 | 10B | 126 BPM | ||
| The Night Calls | The Division Men, Fredo Ortiz, Dana Colley, Peter Hayes | F Minor | 3 | 4A | 99 BPM | ||
| God's Lonely Man | Anna Calvi, Iggy Pop | A Major | 7 | 11B | 100 BPM | ||
| Why Wake Up? | We Are The Kill Sounds | A Major | 7 | 11B | 100 BPM | ||
| Out of Sight | Black Thumb | D Major | 3 | 10B | 140 BPM | ||
| Televised - Radio Edit | Teenage Bobby Awe | B Major | 6 | 1B | 80 BPM | ||
| Yeah Whatever - Reinterpreted | Odonis Odonis, Moev, DJ Dwight Hybrid | A Major | 7 | 11B | 100 BPM | ||
| Biologismus Fatale | Avfall | G Minor | 10 | 6A | 162 BPM | ||
| Trophy Wife Karma | Scan Hopper | D♭ Minor | 6 | 12A | 112 BPM | ||
| Crime Or Bust | Data Animal | D♭ Minor | 10 | 12A | 100 BPM | ||
| Wisdom of a Chain | Night Slaves | F Minor | 6 | 4A | 176 BPM | ||
| Adrenaline | SALVIA | F Minor | 9 | 4A | 180 BPM | ||
| Fall Of A Good Man | Blame Donny | D Major | 8 | 10B | 120 BPM | ||
| Dark Amusement | Dalvinion | C Major | 9 | 8B | 139 BPM | ||
| I Want to Hug a Cloud | Jim E. Brown | C Minor | 9 | 5A | 77 BPM | ||
| Jonny Guitar Calling Gosta Berlin | Snapped Ankles | D Major | 7 | 10B | 152 BPM | ||
| Movement | The Sick Man Of Europe | G Major | 4 | 9B | 120 BPM | ||
| in the mines | Rome Is Not A Town | A Major | 7 | 11B | 100 BPM | ||
| Comfort | YAANG | B♭ Major | 9 | 6B | 146 BPM | ||
| The Face That I Stood Behind | Body Maintenance | F♯ Minor | 9 | 11A | 170 BPM | ||
| Seeking To Remain | Dreamwave | C Major | 9 | 8B | 128 BPM | ||
| Counterbalance | MIEN | F Minor | 8 | 4A | 130 BPM | ||
| Room With a View | Wall Of Voodoo | D♭ Major | 8 | 3B | 125 BPM | ||
| Two Parties, No Fun | Northern Gloom | A Major | 7 | 11B | 100 BPM | ||
| ALL THE HALLELUJAHS | Armory Show | B♭ Major | 7 | 6B | 125 BPM |