Mohammed Rafi's ' "Masti Mein Chhed Ke Tarane" was released on its scheduled release date, December 1, 1963. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Madan Mohan's "Haqeeqat (Original Motion Picture Soundtrack)" album is number 4 out of 7. On top of that, India appears to be the country where this track was created. In terms of popularity, Masti Mein Chhed Ke Tarane is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Masti Mein Chhed Ke Tarane by Mohammed Rafi to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aur Kya Ahede Wafa - Male Version | R. D. Burman, Suresh Wadkar | E Minor | 5 | 9A | 159 BPM | ||
| Yeh Raat Yeh Chandni | Hemant Kumar | D Major | 3 | 10B | 81 BPM | ||
| Raahi Matwale | Talat Mahmood, Suraiya | A♭ Major | 3 | 4B | 75 BPM | ||
| Khuda Kare Ki Mohabbat Mein | Talat Aziz | D Minor | 6 | 7A | 111 BPM | ||
| O Meri Jaan Meri Jaan | Mohammed Aziz, Alka Yagnik | B♭ Major | 7 | 6B | 144 BPM | ||
| Hum Tumse Juda Hoke | Mohammed Rafi | A♭ Minor | 4 | 1A | 101 BPM | ||
| Voice Over And Watan Ki Raah Mein | Seema Alimchandani, Mohammed Rafi, H Khan Mastana | B Major | 4 | 1B | 109 BPM | ||
| Geet Gata Chal | Jaspal Singh | A Major | 6 | 11B | 88 BPM | ||
| Beshak Mandir Masjid Todo | Narendra Chanchal, Laxmikant–Pyarelal | A Major | 4 | 11B | 83 BPM | ||
| Tu Is Tarah Se Mere Zindagi Main - Jhankar Beats | Hero And King Of Jhankar Studio, Mohammed Rafi | A Major | 8 | 11B | 98 BPM | ||
| Dekho Pyar Men Aesa Nahin Karte | Amit Kumar, Alka Yagnik | G Major | 4 | 9B | 80 BPM | ||
| Strepcils Voice Over And Rimjhim Ke Tarane Leke Aai Barsaat | Geeta Dutt, Mohammed Rafi, S. D. Burman | F♯ Major | 7 | 2B | 101 BPM | ||
| Teri Chhoti Si Ek Bhool Ne | K. J. Yesudas | A♭ Major | 5 | 4B | 138 BPM | ||
| Mere Mehboob Kuch Bhi Ho | Mohammed Aziz | F Major | 7 | 7B | 72 BPM | ||
| Salam-E-Hasrat Qubool Kar Lo | Sudha Malhotra | A Major | 1 | 11B | 182 BPM | ||
| Aakhri Geet Mohabbat Ka | Mohammed Rafi, Raja Mehdi Ali Khan | A♭ Minor | 4 | 1A | 102 BPM | ||
| Wada Humse Kiya | Mubarak Begum, Kalyanji-Anandji | E♭ Minor | 6 | 2A | 91 BPM | ||
| Man Tarapat Hari Darshan | Naushad, Mohammed Rafi | D Minor | 5 | 7A | 92 BPM | ||
| Main Wohi Darpan Wohi | Aarti Mukherji | A Major | 6 | 11B | 138 BPM | ||
| Chaman Mein Rah Ke Virana (From "Deedar") | Shamshad Begum | D Major | 5 | 10B | 126 BPM | ||
| Nadiya Chale Chale Re Dhara | Manna Dey, Kalyanji-Anandji | G Major | 6 | 9B | 92 BPM | ||
| Wafa Jo Tumse Kabhi | Talat Aziz | E♭ Minor | 4 | 2A | 94 BPM | ||
| Jhuki Jhuki Si Nazar | Jagjit Singh | A Minor | 3 | 8A | 95 BPM | ||
| Kabhie Kisi Ko Muqammal Jahan - Ahista Ahista / Soundtrack Version | Bhupinder Singh | A Major | 3 | 11B | 98 BPM | ||
| Yeh Shama To Jali | Mohammed Rafi, Laxmikant–Pyarelal | G Minor | 6 | 6A | 129 BPM |