"Imogen and Agreus" by Nathan Barr, Harry Risoleo had its release date on 2019. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 17 out of 24 in Carnival Row: Season 1 (Music from the Amazon Original Series) by Various Artists. Imogen and Agreus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Imogen and Agreus by Nathan Barr, Harry Risoleo is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Blue Whale | Steven Price | F♯ Minor | 3 | 11A | 112 BPM | ||
| Into Eternity - From "Thor: The Dark World"/Score | Brian Tyler | B♭ Major | 2 | 6B | 84 BPM | ||
| It Was Always Tate - From The Motion Picture “Where The Crawdads Sing” | Mychael Danna | E Minor | 1 | 9A | 98 BPM | ||
| Dirt Music Theme | Craig Armstrong | C Major | 1 | 8B | 84 BPM | ||
| Basically Flying | Kevin Smuts | A Minor | 1 | 8A | 82 BPM | ||
| How to Build a Light | Carlos Hof | C Minor | 1 | 5A | 103 BPM | ||
| Kon-Tiki (End Credits) | Johan Söderqvist, Hans Ek, Philharmonia Orchestra | A Minor | 3 | 8A | 102 BPM | ||
| Nightfall | Alberto Giurioli, Geoff Lawson, Ensemble Viridis | D Minor | 3 | 7A | 180 BPM | ||
| Dear Brother | Renée Abe | F Major | 5 | 7B | 141 BPM | ||
| The White Whale Chant | Roque Baños | A♭ Major | 2 | 4B | 78 BPM | ||
| Opening | Carter Burwell | C Minor | 2 | 5A | 117 BPM | ||
| Impecunious Circumstances | Thomas Newman | C Minor | 2 | 5A | 85 BPM | ||
| The Duchess | Rachel Portman | G Major | 2 | 9B | 116 BPM | ||
| Dissipate | Gavin Luke | D Major | 1 | 10B | 89 BPM | ||
| Professor Jean Pépé | Howard Shore | D Minor | 1 | 7A | 80 BPM | ||
| Four Marks | Sonya Belousova, Giona Ostinelli, Rodion Belousov | G Major | 2 | 9B | 120 BPM | ||
| The Way Things Were | Nathan Barr | D♭ Minor | 1 | 12A | 118 BPM | ||
| Resurgam | Anne Dudley, The Chamber Orchestra Of London | F Minor | 2 | 4A | 49 BPM | ||
| Mercury | Edmund Percival Montfort | E♭ Minor | 2 | 2A | 100 BPM | ||
| Untamed and Beautiful | Brian Tyler, Breton Vivian | C Minor | 1 | 5A | 91 BPM | ||
| Dying Soul | Antonio Pinto | A♭ Minor | 3 | 1A | 100 BPM | ||
| Alive And Together | Junkie XL | C Major | 1 | 8B | 70 BPM | ||
| Speech | Harald Kloser, Thomas Wander | D Minor | 3 | 7A | 82 BPM | ||
| March of the Millions | Jasha Klebe | G Minor | 2 | 6A | 84 BPM | ||
| Lily's Theme | Alexandre Desplat | F♯ Major | 0 | 2B | 73 BPM |