"Making a Difference (Original Motion Picture Soundtrack)" by Jonathan Beales, Matthew Rees had its release date on December 2, 2017. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Making a Difference (Original Motion Picture Soundtrack)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 31 out of 42 in Codumentary (Original Motion Picture Soundtrack) by Jonathan Beales, Matthew Rees. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. The popularity of Making a Difference (Original Motion Picture Soundtrack) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Making a Difference (Original Motion Picture Soundtrack) by Jonathan Beales, Matthew Rees is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Brothers in Arms (Original Motion Picture Soundtrack) | Jonathan Beales, Matthew Rees | D♭ Major | 2 | 3B | 76 BPM | ||
| Gollum | Howard Shore | F Major | 0 | 7B | 61 BPM | ||
| The Quest for Pan | Bear McCreary, Sparks & Shadows | C Minor | 4 | 5A | 118 BPM | ||
| Future Frequency | ABEX | G Major | 0 | 9B | 71 BPM | ||
| Veiled Hunter | Midnight Syndicate | B♭ Major | 2 | 6B | 85 BPM | ||
| Of Helplessness - From "Heat" | Brussels Philharmonic, Dirk Brossé, Elliot Goldenthal | D♭ Major | 1 | 3B | 168 BPM | ||
| Ursula's Reveal | Alan Menken | F Major | 5 | 7B | 76 BPM | ||
| I Can't Be Her | Johnny Klimek, Tom Tykwer | F Minor | 1 | 4A | 90 BPM | ||
| Cumulus | Lewis Clarke | D♭ Minor | 0 | 12A | 84 BPM | ||
| Dreaming of the Night | Alberto Moggi, Giuseppe Brittanni, Roger Malone, Ludovico Monteverdi | C Major | 1 | 8B | 100 BPM | ||
| En Forræder Villeder | Raymond Enoksen, Christian Norum | C Minor | 3 | 5A | 80 BPM | ||
| Morning | Paradox Interactive | B♭ Major | 0 | 6B | 82 BPM | ||
| Delirious | Sean Murray | D♭ Major | 4 | 3B | 150 BPM | ||
| Bright Blades in the Sun | Ian Livingstone | F Minor | 2 | 4A | 120 BPM | ||
| Void (Battle) | Ben Prunty | D♭ Major | 7 | 3B | 156 BPM | ||
| Clues in the Darkness | Inon Zur | B Minor | 1 | 10A | 129 BPM | ||
| Empress | Daniel Pemberton | A Major | 1 | 11B | 80 BPM | ||
| Night Star | Icukou | B♭ Major | 3 | 6B | 164 BPM | ||
| you don't have to act tough | 梶浦 由記 | C Major | 1 | 8B | 80 BPM | ||
| The Play | Dan Romer | E Minor | 2 | 9A | 120 BPM | ||
| Lost in the Wild - From "The Good Dinosaur" Score | Mychael Danna, Jeff Danna | C Major | 0 | 8B | 99 BPM | ||
| Santa Monica Los Angeles (Original Score) | Jonathan Beales, Matthew Rees | G Major | 0 | 9B | 64 BPM | ||
| The Jovian Front | Iceland Symphony Orchestra, EVE Online Music | E Major | 0 | 12B | 82 BPM | ||
| A Queen Among Queens | Lily Jimeth | E♭ Minor | 2 | 2A | 86 BPM | ||
| Coffey on the Mile | Thomas Newman | D♭ Minor | 0 | 12A | 62 BPM |