"O dass ich doch ein Raeuber waer" by Carl Millöcker, Julius Patzak, Orchester Der Staatsoper Berlin, Leo Blech had its release date on September 28, 2018. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. O dass ich doch ein Raeuber waer's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 23 in DG 120 – Light Music: Early Recordings by Various Artists. Based on our statistics, O dass ich doch ein Raeuber waer's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of O dass ich doch ein Raeuber waer by Carl Millöcker, Julius Patzak, Orchester Der Staatsoper Berlin, Leo Blech is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rigoletto "Scorrendo muti remota via" | Alessio Busanel And His Orchestra | F Major | 1 | 7B | 138 BPM | ||
| The Merry Widow (Die lustige Witwe) / Act 2: Vilja-Lied | Franz Lehár, Ingeborg Hallstein, Grosses Operetten Orchester, Franz Marszalek | G Major | 3 | 9B | 77 BPM | ||
| Wien bleibt Wien, Marsch | Johann Schrammel, Budapest Strauss Ensemble, Istvan Bogar | D Major | 4 | 10B | 122 BPM | ||
| Bavarian Landler | Ion Ivanovici, Budapest Strauss Ensemble, Istvan Bogar | F Major | 3 | 7B | 150 BPM | ||
| All meine Jugenjahre - Ach, ich hab' in meinem Herzen | Norbert Schultze, Rudolf Schock, Werner Schmidt-Boelcke | B Major | 2 | 1B | 169 BPM | ||
| Lehár: La veuve joyeuse, Act I: Finale. "Cotillon, c'est l'heure du cotillon" - "C'est la valse, écoutez" | Franz Lehár, Yvon Leenart, André Mallabrera, Christos Grigoriou, Choeurs Rene Duclos, Jean Christophe Benoit, Michel Dens, Micheline Dax, Suzanne Lafaye, Orchestre De La Société Des Concerts Du Conservatoire | B Minor | 1 | 10A | 97 BPM | ||
| Millöcker: Die Dubarry: "Es lockt die Nacht" | Carl Millöcker, Melitta Muszely, Werner Schmidt-Boelcke, Rudolf Schock, FFB-Orchester | F Major | 2 | 7B | 85 BPM | ||
| Im Salzkammergut da kann man gut | Wiener Operettenorchester, Chor | C Major | 5 | 8B | 76 BPM | ||
| Der Bettelstudent (Querschnitt) (2002 Digital Remaster), Erster Akt: Die Welt hat das genialste Streben (Symon, Jan) | Carl Millöcker, Hertha Töpper, Erika Köth, Liselotte Schmidt, Gustav Neidlinger, Paul Otto Kuster, Josef Hausmann, Fritz Hoppe, Berliner Symphoniker, Der Günther-Arndt-Chor, Werner Kahl, Carl Katz, Rudolf Schock, Fritz Wunderlich, Werner Schmidt-Boelcke | C Major | 3 | 8B | 123 BPM | ||
| Musetta's Waltz Song (La Boheme) | Geoff Love & His Orchestra | E Major | 1 | 12B | 86 BPM | ||
| Kleiner Anzeiger | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | E♭ Major | 4 | 5B | 146 BPM | ||
| Annen-Polka | Johann Strauss Orchester | D Major | 1 | 10B | 147 BPM | ||
| Alle Tage Ist Kein Sonntag | Willy Schneider | A♭ Major | 2 | 4B | 83 BPM | ||
| Das Land des Lächelns / Act 1: Immer nur lächeln | Franz Lehár, Heinz Hoppe, Grosses Operetten Orchester, Franz Marszalek | D Major | 1 | 10B | 130 BPM | ||
| Amado Mio | Paul Potts | F Minor | 4 | 4A | 67 BPM | ||
| Walzer, Op.138, "Schlittschuhlaufer" | Émile Waldteufel, Schwanen Salon Orchestra, Georg Huber | A Major | 1 | 11B | 88 BPM | ||
| Die Csardasfurstin (The Gypsy Princess): Act II: Entr'akt | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | F Major | 3 | 7B | 116 BPM | ||
| Mattinata (Frühlingserwachen) | Rudolf Schock | B Major | 2 | 1B | 60 BPM | ||
| Wiener Blut (operetta): Stoß an! | Johann Strauss II, Rita Bartos, Sandor Konya, Herta Talmar, Willy Hofmann, Peter Alexander, Chor, Franz Marszalek, Kölner Rundfunkorchester | E♭ Major | 4 | 5B | 175 BPM | ||
| Wiener Bürger, Op. 419 | Carl Michael Ziehrer, Wiener Philharmoniker, Lorin Maazel | C Major | 2 | 8B | 99 BPM | ||
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Alle sind wir Sünder (Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonie-Orchester Graunke | F Major | 4 | 7B | 78 BPM | ||
| Viktoria und ihr Husar: Reich' mir zum Abschied noch einmal die Hände | Paul Abraham, Sandor Konya, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek | B♭ Major | 3 | 6B | 110 BPM | ||
| La forza del destino, Act II: Holà (Ballabile) | Giuseppe Verdi, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti, Orchestra Del Teatro Alla Scala Di Milan | F Major | 0 | 7B | 125 BPM | ||
| Bellini: I puritani: "Il rito augusto si compia senza me" (Valton, Enrichetta, Arturo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Strauss, Johann II: Morgenblätter, Op. 279 | Johann Strauss II, Karl Böhm, Wiener Philharmoniker | C Major | 2 | 8B | 100 BPM |