"Jonathan's Farewell" by Kurt Kuenne had its release date on December 5, 2016. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "Preston Tylk (Original Motion Picture Score)". In this album, this song's track order is #23. Based on our statistics, Jonathan's Farewell's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Jonathan's Farewell by Kurt Kuenne having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Final Kiss | Mario Malagnini | G Major | 1 | 9B | 94 BPM | ||
| You Are The Best Of Me - From "Downton Abbey" | John Lunn, The Chamber Orchestra Of London | E♭ Major | 2 | 5B | 88 BPM | ||
| Frances | John Barry | C Major | 0 | 8B | 83 BPM | ||
| Messiah, HWV 56: Part I: Pifa (Pastoral Symphony) | George Frideric Handel, Richard Westenburg, Musica Sacra | C Minor | 3 | 5A | 78 BPM | ||
| Baroque Dance Suite | Helena Semanov | B Minor | 0 | 10A | 116 BPM | ||
| Tell Me About Catherine | Gabriel Yared | E Minor | 0 | 9A | 76 BPM | ||
| Liesse au palais - Bande originale du film "Les Légendaires" | Cécile Corbel, Simon Caby | A Minor | 1 | 8A | 130 BPM | ||
| El reloj de la abuela / El segundo cuento | Fernando Velázquez | C Major | 2 | 8B | 83 BPM | ||
| No Tears | Anne Dudley | B Major | 1 | 1B | 115 BPM | ||
| Générique de fin | Gabriel Yared | D Major | 1 | 10B | 173 BPM | ||
| Zonas de Paso | Las Eternas | E♭ Major | 3 | 5B | 81 BPM | ||
| The White Crow (Arr. Eshkeri/Orch. Dannheisser) | Pyotr Ilyich Tchaikovsky, Lisa Batiashvili, London Metropolitan Orchestra, Andy Brown | C Major | 1 | 8B | 138 BPM | ||
| Flowers Only Grow Where There Are Seeds | Anne Dudley | G Minor | 0 | 6A | 78 BPM | ||
| San Francisco | Theodore Shapiro | G Major | 0 | 9B | 135 BPM | ||
| Who Was She? | Nico Muhly | G Minor | 1 | 6A | 95 BPM | ||
| The Harshest Place on Earth | Alex Wurman | C Major | 1 | 8B | 82 BPM | ||
| Precious to Me | Rael Jones, Anthony Weeden | E Minor | 1 | 9A | 80 BPM | ||
| Such Good Luck - From “Downton Abbey” Soundtrack | John Lunn, The Chamber Orchestra Of London | G Major | 2 | 9B | 73 BPM | ||
| Zero Hour | Martin Phipps | F♯ Major | 1 | 2B | 70 BPM | ||
| The Verdict | George Fenton | F Minor | 6 | 4A | 116 BPM | ||
| Glasgow Love Theme - From "Love Actually" | Craig Armstrong, The Royal Philharmonic Concert Orchestra/Paul Bateman, Paul Bateman | A Major | 1 | 11B | 136 BPM | ||
| Flying | Isobel Waller-Bridge | A♭ Major | 1 | 4B | 85 BPM | ||
| You Like Boats But Not The Ocean | George Fenton | F Major | 1 | 7B | 144 BPM | ||
| Ways And Means | W.G. Snuffy Walden | B♭ Major | 3 | 6B | 87 BPM | ||
| Sleep Little Baby | David García Díaz | C Major | 2 | 8B | 86 BPM |