Jamie Rounds's ' "I'd Rather Be The Rain" was released on its scheduled release date, November 1, 2011. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jamie Rounds's "Jamie Rounds & Friends, Vol. 1" album is number 4 out of 13. In terms of popularity, I'd Rather Be The Rain is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of I'd Rather Be The Rain by Jamie Rounds to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Worth Fighting For | Kris Kristofferson | A Major | 1 | 11B | 89 BPM | ||
| When It Began | The Replacements | E♭ Major | 6 | 5B | 160 BPM | ||
| Outlaw You | Shooter Jennings | G Major | 7 | 9B | 178 BPM | ||
| Baby Blue Eyes | Joan Armatrading | D Major | 7 | 10B | 110 BPM | ||
| Telephone Road (with the Fairfield Four) | Steve Earle, The Fairfield Four | F Major | 7 | 7B | 146 BPM | ||
| Trixies, Pt. 1 | Squeeze | A Minor | 7 | 8A | 84 BPM | ||
| Thank The Lord For The Night Time - Live | Neil Diamond | A Major | 7 | 11B | 177 BPM | ||
| I Was in the House When the House Burned Down | Warren Zevon | B♭ Major | 7 | 6B | 152 BPM | ||
| Take a Good Look at My Good Looks | New York Dolls | E Major | 9 | 12B | 110 BPM | ||
| Slow Down Georgie (She's Poison) | Elton John | G Major | 7 | 9B | 137 BPM | ||
| Where Were You Last Night? | Traveling Wilburys | D Major | 8 | 10B | 120 BPM | ||
| Happy Birthday To Me | Cracker | C Major | 7 | 8B | 128 BPM | ||
| Comfortably Numb | Hayseed Dixie | B Minor | 5 | 10A | 150 BPM | ||
| Weeping Wine | Lloyd Cole | A Major | 8 | 11B | 121 BPM | ||
| So I Am Over You | Pete Droge | D♭ Minor | 7 | 12A | 110 BPM | ||
| Doctor Told Me | J.J. Cale | D♭ Minor | 9 | 12A | 119 BPM | ||
| Row Of Dominoes | Joe Ely | D♭ Major | 5 | 3B | 119 BPM | ||
| Outskirts - Remastered 2012 version | Blue Rodeo | C Major | 8 | 8B | 116 BPM | ||
| Humidity Built the Snowman | John Prine | A Major | 5 | 11B | 125 BPM | ||
| To The River | John Mellencamp | C Major | 8 | 8B | 100 BPM | ||
| Forever Young | Johnny Cash | F Major | 6 | 7B | 108 BPM | ||
| A Big Enough Sky | Josh Ritter | F♯ Major | 9 | 2B | 106 BPM | ||
| Back to Coeur d’Alene | James McMurtry | B Major | 9 | 1B | 148 BPM | ||
| Immaculate Fools | Immaculate Fools | F Major | 7 | 7B | 125 BPM | ||
| Just Us Kids | James McMurtry | F Major | 7 | 7B | 128 BPM |