"Part 8" by Yume Bitsu had its release date on January 1, 2003. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Yume Bitsu's "Invisible Shield" album is number 7 out of 16. On top of that, United States appears to be the country where this track was created. Based on our statistics, Part 8's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Part 8 by Yume Bitsu to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mothmen Meet The Council Of Frogs | Yume Bitsu | D Major | 1 | 10B | 65 BPM | ||
| Bound To Be That Way | Do Make Say Think | G Major | 5 | 9B | 158 BPM | ||
| Sterling Moss | Swirlies | A♭ Major | 9 | 4B | 92 BPM | ||
| Port of Charleston | Seam | D Major | 6 | 10B | 71 BPM | ||
| A Tribute to | The For Carnation | B Major | 5 | 1B | 164 BPM | ||
| Over and Over | Bowery Electric | E Major | 0 | 12B | 145 BPM | ||
| Every Single Day | Cement Diver | B♭ Major | 6 | 6B | 180 BPM | ||
| Hortur | Picastro | D Major | 4 | 10B | 140 BPM | ||
| Moments | Red House Painters | F Major | 4 | 7B | 122 BPM | ||
| Toska | Jessica Bailiff | A Minor | 2 | 8A | 87 BPM | ||
| Comforter | Jesu | B Major | 6 | 1B | 146 BPM | ||
| Come And Close My Eyes | Flying Saucer Attack | D♭ Major | 6 | 3B | 85 BPM | ||
| G | Labradford | F Major | 2 | 7B | 110 BPM | ||
| Mouse | Quickspace | E Major | 5 | 12B | 75 BPM | ||
| For Carl Sagan | Tarentel | F Major | 3 | 7B | 131 BPM | ||
| It Does Nothing for Me | Lilys | E♭ Major | 7 | 5B | 158 BPM | ||
| God's Green Earth | Idaho | F♯ Minor | 5 | 11A | 73 BPM | ||
| Human Heart Map | Heather P Holst | B♭ Major | 6 | 6B | 180 BPM | ||
| Wallflower | Good Night & Good Morning | B Major | 2 | 1B | 120 BPM | ||
| It's All About Us | The American Analog Set | A Minor | 2 | 8A | 173 BPM | ||
| Reverbium | Southpacific | B Major | 5 | 1B | 137 BPM | ||
| Stay Ahead, Far Behind | Southpacific | A Major | 4 | 11B | 86 BPM | ||
| Sisters | Blind Mr. Jones | A Minor | 6 | 8A | 124 BPM | ||
| The Rest of the Day | Bedhead | G Major | 5 | 9B | 121 BPM | ||
| Dust and Turpentine | Seam | G Major | 4 | 9B | 165 BPM |