Howard Elvis Martin's ' "Last One to Know" was released on its scheduled release date, November 20, 2016. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 15 in Center Stage by Howard Elvis Martin. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Last One to Know is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Last One to Know by Howard Elvis Martin is Lento (slowly), since this song has a tempo of 50 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ain't That Lovin' You Baby | Roy Head | G Major | 5 | 9B | 129 BPM | ||
| FORGIVING AND GOOD | BOSS MAN MOORE | G Major | 6 | 9B | 132 BPM | ||
| It Aint Easy Being Me | Ryan Matter | A♭ Major | 4 | 4B | 144 BPM | ||
| Billy Joe Saviour | Tim Menchu | A Minor | 5 | 8A | 74 BPM | ||
| To Tear Myself Apart | Ward Davis | G Major | 6 | 9B | 132 BPM | ||
| Mother Dear | Howard Elvis Martin | D Major | 1 | 10B | 130 BPM | ||
| so much | Stephen Moore | G Major | 4 | 9B | 138 BPM | ||
| Valley Below | Hank C | B Major | 7 | 1B | 118 BPM | ||
| Don't Have to Love You Anymore | Brandon Bart | B Minor | 3 | 10A | 112 BPM | ||
| Reckless | Too Slim and the Taildraggers | A♭ Major | 8 | 4B | 94 BPM | ||
| Crimson Ink | Stephen Mojo | G Minor | 9 | 6A | 143 BPM | ||
| Old Technology | Dave Teichroeb | B Minor | 8 | 10A | 141 BPM | ||
| Move On | Howard Elvis Martin | E Major | 3 | 12B | 98 BPM | ||
| Its Only Time | Paul Kype and Texas Flood | B Major | 5 | 1B | 130 BPM | ||
| Keep Your Powder Dry | Doug Armento and the Iron Mules | G Major | 6 | 9B | 132 BPM | ||
| Trust in the Lord | Steve The Trailplayer | C Major | 5 | 8B | 134 BPM | ||
| This Old Train | Ryan Matter | F Minor | 10 | 4A | 180 BPM | ||
| Gotten Away With It | Ryan Matter | E♭ Minor | 6 | 2A | 125 BPM | ||
| Sweet Salvation of the Dawn | Stash | G Major | 4 | 9B | 88 BPM | ||
| Heavy Load | Slaw | A Minor | 3 | 8A | 114 BPM | ||
| If Tears Could Talk | James Intveld | G Major | 5 | 9B | 130 BPM | ||
| Small Town Star (The Ballad of Matt Barr) | Howard Elvis Martin | C Major | 4 | 8B | 71 BPM | ||
| Dance Floor - Nashville Version | Blue & Bright | F♯ Major | 7 | 2B | 142 BPM | ||
| Crushed Flowers | Ernie Lewis, Reygun Brown | G Major | 6 | 9B | 132 BPM | ||
| Prey to the Crow | Julian James, Moonshine State | G Major | 6 | 9B | 132 BPM |