"Aria: Können Tränen meiner Wangen" by JS Bach, Birgit Finnilae, English Chamber Orchestra, Johannes Somary had its release date on July 8, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in JS Bach, Various Artists's "Little Big Box :: The Passion According To St. Matthew" album is number 61 out of 78. On top of that, United States appears to be the country where this track was created. Aria: Können Tränen meiner Wangen is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Aria: Können Tränen meiner Wangen by JS Bach, Birgit Finnilae, English Chamber Orchestra, Johannes Somary to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trombone Concerto: II. Quasi una leggenda. Andante grave | Launy Grøndahl, Christian Lindberg, Bamberg Symphony, Leif Segerstam | B♭ Minor | 0 | 3A | 88 BPM | ||
| Colors: IV. Green | Bert Appermont, Columbus State University Wind Ensemble, Joseph Alessi, Robert W. Rumbelow | C Major | 3 | 8B | 76 BPM | ||
| Unter Donner und Blitz (Schnellpolka op.324) | German Brass | F Major | 3 | 7B | 172 BPM | ||
| An Original Suite: II. Intermezzo | Gordon Jacob, Eugene Migliaro Corporon, North Texas Wind Symphony | A Minor | 1 | 8A | 70 BPM | ||
| Humming | Matthias Werner, Federspiel | A Minor | 0 | 8A | 111 BPM | ||
| Shenandoah | Frank Ticheli, Michigan State University Wind Symphony, John Whitwell | E♭ Major | 0 | 5B | 84 BPM | ||
| A Duet For Our Time: Of Beauty | Columbus State University Trombone Ensemble, Bill Thomas, George Curran | C Major | 1 | 8B | 138 BPM | ||
| Dukas: Villanelle | Paul Dukas, Dennis Brain, Gerald Moore | C Major | 0 | 8B | 69 BPM | ||
| Jesu, Joy of Man's Desiring | JS Bach, Leopold Stokowski, Igor Kipnis, The Stokowski Orchestra | B♭ Major | 2 | 6B | 68 BPM | ||
| Second Suite in F Major, Op. 28 No. 2, H. 106: I. March | Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon | C Minor | 0 | 5A | 67 BPM | ||
| Petite pièce concertante | Guillaume Balay, Ryan Gardner, Charity Wicks | B♭ Major | 4 | 6B | 124 BPM | ||
| Sasparilla | John Mackey, North Texas Wind Symphony, Eugene Migliaro Corporon | F Major | 3 | 7B | 148 BPM | ||
| Toot Suite: I. Allègre | Claude Bolling | A Minor | 3 | 8A | 112 BPM | ||
| The Green Hill | Bert Appermont, Misa Mead, Benjamin Powell | B♭ Major | 0 | 6B | 133 BPM | ||
| Concerto No. 2 in B Minor for Double Bass and Orchestra: I. Allegro moderato | Giovanni Bottesini, Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff | E Minor | 1 | 9A | 126 BPM | ||
| An Original Suite: I. March | Gordon Jacob, Eugene Migliaro Corporon, North Texas Wind Symphony | C Major | 0 | 8B | 64 BPM | ||
| 33 Portraits, Op. 101: No. 5, Ein Siegesgesang Israels "Praise the Lord with Drums and Cymbals" (Alla Handel) [Arr. T. Brantigan] | Sigfrid Karg-Elert, Paul Riedo, Dallas Wind Symphony, Frederick Fennell | C Major | 1 | 8B | 86 BPM | ||
| Give Us This Day: II. — | David Maslanka, The University of Texas Wind Ensemble, Jerry Junkin | F Major | 2 | 7B | 84 BPM | ||
| Olympic Fanfare | Gomalan Brass Quintet | B♭ Major | 2 | 6B | 94 BPM | ||
| St. Paul's Suite, Op. 29 No. 2, H 118: 4. Finale (The Dargasson): Allegro | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E♭ Minor | 1 | 2A | 100 BPM | ||
| Elsa's Procession to the Cathedral | Richard Wagner, Northwestern University Symphonic Wind Ensemble, Mallory Thompson | E♭ Major | 1 | 5B | 69 BPM | ||
| Redline Tango | John Mackey, University of Kansas Wind Ensemble, John P. Lynch | D♭ Major | 2 | 3B | 128 BPM | ||
| Yosemite Autumn | Mark Camphouse, University of New Hampshire Wind Symphony, Andrew Boysen, Jr. | A Minor | 1 | 8A | 70 BPM | ||
| Aria: Komm, süßes Kreuz, so will ich sagen | JS Bach, Benjamin Luxon, Johannes Somary, English Chamber Orchestra | B♭ Minor | 1 | 3A | 88 BPM | ||
| With Heart and Voice | David R. Gillingham, University of North Texas Symphonic Band, Dennis Fisher | D Minor | 0 | 7A | 71 BPM |