Bodyjar's ' "Calling Orson" was released on its scheduled release date, August 21, 2000. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Bodyjar's "How It Works" album is number 6 out of 12. Based on our statistics, Calling Orson's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Calling Orson by Bodyjar to be Allegro (fast, quick, and bright) because the track has a tempo of 152 BPM, a half-time of 76BPM, and a double-time of 304 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Science Fiction | Rufio | F♯ Minor | 10 | 11A | 124 BPM | ||
| Theme Song from Hq | Luca Brasi | D♭ Minor | 9 | 12A | 183 BPM | ||
| Living Saints | Polar Bear Club | C Major | 9 | 8B | 121 BPM | ||
| She Lied To The FBI | Alkaline Trio | E Major | 10 | 12B | 180 BPM | ||
| The Prophets And The Wise | Adrenalized | D♭ Major | 10 | 3B | 110 BPM | ||
| Above Me | Rufio | F Major | 9 | 7B | 119 BPM | ||
| Too Drunk To Drive | Bodyjar | D♭ Minor | 9 | 12A | 183 BPM | ||
| Bombs over Brooklyn | Love Equals Death | A Major | 9 | 11B | 185 BPM | ||
| Military Strongmen | Jebediah | D♭ Major | 9 | 3B | 137 BPM | ||
| The Patty Hearst Syndrome | Smoke Or Fire | B Minor | 8 | 10A | 161 BPM | ||
| I'm Your Opposite Number | Strike Anywhere | A Major | 10 | 11B | 179 BPM | ||
| Strong Reaction | Pegboy | F♯ Minor | 9 | 11A | 95 BPM | ||
| The Boy Who Destroyed The World | AFI | E Minor | 10 | 9A | 164 BPM | ||
| Taking on the World | Authority Zero | D♭ Minor | 9 | 12A | 162 BPM | ||
| Alchemy | Banner Pilot | F♯ Major | 9 | 2B | 91 BPM | ||
| Monday Morning | Student Rick | E Major | 9 | 12B | 137 BPM | ||
| Stitches | Much The Same | E♭ Minor | 9 | 2A | 113 BPM | ||
| Say What? | 28 Days | A Major | 9 | 11B | 115 BPM | ||
| Quincentuple Your Money | The Lawrence Arms | C Major | 9 | 8B | 137 BPM | ||
| Chase The Chaser | Something With Numbers | E Minor | 8 | 9A | 116 BPM | ||
| We All Fall Down | The Explosion | G Major | 10 | 9B | 194 BPM | ||
| Face Without A Name | Kisschasy | G Major | 7 | 9B | 96 BPM | ||
| Outright Lies | 88 Fingers Louie | E Major | 10 | 12B | 157 BPM | ||
| In The Headlights (It Is Grey) | The Decline | B♭ Minor | 10 | 3A | 142 BPM | ||
| Take The Reigns | Tsunami Bomb | B♭ Minor | 9 | 3A | 139 BPM |