"Elegía de la ausencia" by Héctor Rojas had its release date on 1998. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Hector Rojas's "Manuel M. Ponce Obra Completa para Piano" album is number 17 out of 186. On top of that, Mexico appears to be the country where this track was created. Based on our statistics, Elegía de la ausencia's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Elegía de la ausencia by Héctor Rojas to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aire vasco, Op. 19 | Antonio Jiménez Manjon, Andrea González Caballero | E Minor | 1 | 9A | 108 BPM | ||
| 12 Songs for Guitar: No. 7, A Song of Early Spring (Arr. T. Takemitsu) | Akira Nakata, Shin-ichi Fukuda | A Major | 1 | 11B | 72 BPM | ||
| Etude No. 5 en si mineur | Fernando Sor, Arnaud Dumond | E Minor | 0 | 9A | 84 BPM | ||
| Castillos de España II: No. 1, Turegano | Federico Moreno Torroba, Ana Vidović | E Major | 1 | 12B | 93 BPM | ||
| Estampas Nocturnas: III. Arrulladora | Manuel Ponce, Enrique Bátiz, Royal Philharmonic Orchestra | E♭ Major | 0 | 5B | 90 BPM | ||
| Greeting Cards, Op. 170: No. 14, Ninna Nanna, a Lullaby for Eugene | Mario Castelnuovo-Tedesco, Andrea de Vitis | A Minor | 0 | 8A | 178 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
| Just Passing By | Billy Arcila | A Major | 1 | 11B | 145 BPM | ||
| Recuerdos de la Alhambra : Recuerdos de la Alhambra | Norbert Kraft | A Major | 1 | 11B | 75 BPM | ||
| Sonata No. 2 in A Minor, Op. 27 No. 2: I. Obsession (Arr. For Mandolin by Alon Sariel) | Eugène Ysaÿe, Alon Sariel | G Minor | 5 | 6A | 99 BPM | ||
| Cavatina | Stanley Myers, Simon Dinnigan | E Major | 0 | 12B | 75 BPM | ||
| Sonata giocosa: II. Andante moderato | Joaquín Rodrigo, Marcin Dylla | A Minor | 0 | 8A | 102 BPM | ||
| Balleto | Manuel Ponce, Gerardo Díaz de León | A Major | 2 | 11B | 126 BPM | ||
| Nocturne in E-Flat Major, Op. 9, No. 2 | Frédéric Chopin, Pablo Ferrandez, Julien Quentin | D Minor | 1 | 7A | 109 BPM | ||
| Campanas del Alba | Eduardo Sainz De La Maza, Johannes Möller | B Minor | 1 | 10A | 84 BPM | ||
| Piano Concerto: 3rd movement: Vivo | Manuel Ponce, Jorge Federico Osorio, The State of Mexico Symphony Orchestra, Enrique Bátiz | D♭ Minor | 3 | 12A | 87 BPM | ||
| Barrios Mangoré: La catedral: III. Allegro solemne | Manuel Barrueco | G Minor | 0 | 6A | 113 BPM | ||
| Debussy: Préludes, Livre I, CD 125, L. 117: No. 8, La fille aux cheveux de lin (Transc. Cáceres for Two Guitars) | Claude Debussy, Turibio Santos, Oscar Caceres | A♭ Major | 0 | 4B | 95 BPM | ||
| Brimborion, Op. 11: Romance sans paroles | Jaime Bosch, Alexandra Whittingham | A Minor | 0 | 8A | 128 BPM | ||
| Valses poeticos (arr. Peter Breiner): Valse 6. Quasi ad libitum | Peter Breiner, Enrique Granados, Norbert Kraft, Polish National Radio Symphony Orchestra | C Major | 1 | 8B | 106 BPM | ||
| Fantasía para un Gentilhombre: IV. Canario | Joaquín Rodrigo, Julian Bream, Leo Brouwer, RCA Victor Chamber Orchestra | D Major | 3 | 10B | 141 BPM | ||
| Ronsard (De Platero y Yo) | Castelnuevo-Tedesco, Andrés Segovia | D Major | 0 | 10B | 102 BPM | ||
| With the Moon at my Desk | Gerard Cousins | A♭ Major | 0 | 4B | 95 BPM | ||
| Piano Concerto No. 1 "Romantico": III. Finale. Allegro | Manuel Ponce, Jorge Federico Osorio, Orquesta Sinfónica de Minería, Carlos Miguel Prieto | E Minor | 1 | 9A | 72 BPM | ||
| The Well-Tempered Clavier, Book 1, BWV 846-869 / Prelude & Fugue in C Major, BWV 846: I. Prelude (Transcr. for Guitar) | Johann Sebastian Bach, Raphaël Feuillâtre | A♭ Major | 3 | 4B | 88 BPM |