On November 15, 2019, the song "Ayodhya Nagri Raghukul Gharana" was released by Devender Pathak. This song is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. Because this song is the only song in Ayodhya Nagri Raghukul Gharana and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Ayodhya Nagri Raghukul Gharana is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Ayodhya Nagri Raghukul Gharana by Devender Pathak is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dinanath Meri Baat - Khatu Shyam Bhajan | Manoj Mishra | A Major | 8 | 11B | 156 BPM | ||
| Mai Ki Seva Dil Se Kar | Avinash Jhankar | D♭ Major | 7 | 3B | 159 BPM | ||
| Jai Badri Kedarnaath | Suresh Kala | F Major | 8 | 7B | 142 BPM | ||
| Sajh Dajh Baite Bherunath | Vaibhav Bagmar Balotra | A♭ Major | 8 | 4B | 140 BPM | ||
| Bar Bar Me Tumhe Pukaru Sun Lo Lakhdatar | Sanjay Mittal | A♭ Major | 7 | 4B | 132 BPM | ||
| Mera Man Panchi Hai Ye | Devkinandan | B Minor | 8 | 10A | 74 BPM | ||
| U Lala U Lala | Devender Pathak | C Minor | 8 | 5A | 130 BPM | ||
| Eadha Rani Ka Naam | Baba Rasika Pagal | E♭ Major | 7 | 5B | 175 BPM | ||
| Khuda Aye Pak Ki Rehmat Kahar Hai Beti | Tahir Chishti | F Major | 9 | 7B | 102 BPM | ||
| Aao Shyam Ji Kanhiya Nand Lal(Kirtan) | Bhaiya Krishan Das Ji | D♭ Minor | 8 | 12A | 80 BPM | ||
| Holi Ka Tyohaar Hai Aaya | Gyanendra Sharma, Ravi Sharma | C Major | 9 | 8B | 135 BPM | ||
| Hari Naam Nahi To Jina Kiya | Gaurangi Gauri Ji | B♭ Minor | 9 | 3A | 96 BPM | ||
| Tune Kino Julam | Sadhvi Purnima | D♭ Major | 7 | 3B | 126 BPM | ||
| Leta Nahi Tu Hari Ka Naam | Parmod Kumar | B♭ Major | 6 | 6B | 90 BPM | ||
| Jagannath Chaka Nain | Rajesh Chandra | D Major | 5 | 10B | 135 BPM | ||
| Siddh Jogi Ne Maariya Udaariya | Dhiraj Sharma | D♭ Major | 6 | 3B | 96 BPM | ||
| Jogiya Ek Ham Dekhlaun | Rajni Pallavi | D Major | 7 | 10B | 90 BPM | ||
| Nokar Rakh Le Sanware | Upasana Mehta | B♭ Major | 7 | 6B | 152 BPM | ||
| Is Sohne Sulkhane Maahi Tu | Sadhvi Purnima Ji | E♭ Major | 7 | 5B | 90 BPM | ||
| Aaya Hu Tera Dwar | Mohit Chauhan | D Major | 5 | 10B | 135 BPM | ||
| Cham Cham Chamkela Mai | Kalpana, Devender Pathak | B♭ Minor | 10 | 3A | 160 BPM | ||
| Mere Jeevan Ke Rang Mere Sai Ratan | Paras Jain | B♭ Major | 6 | 6B | 137 BPM | ||
| Hari Ki Katha Sunane Wale | Devender Pathak | F♯ Minor | 9 | 11A | 152 BPM | ||
| Jogira Sara Ra | Devender Pathak | F Minor | 9 | 4A | 112 BPM | ||
| Dware Mela Lago Maang Lo Vardan | Sanjo Baghel | G Minor | 8 | 6A | 134 BPM |