John McLaughlin's ' "Mila Repa" was released on its scheduled release date, July 16, 2021. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Mila Repa's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John McLaughlin's "Liberation Time" album is number 4 out of 7. On top of that, France appears to be the country where this track was created. In terms of popularity, Mila Repa is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Mila Repa by John McLaughlin to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tema de Jaimito - De "Bajarse al Moro" | Pata Negra | G Major | 2 | 9B | 86 BPM | ||
| Sorceress - Instrumental | Return To Forever | B♭ Minor | 6 | 3A | 119 BPM | ||
| Red Baron | Billy Cobham | G Major | 4 | 9B | 84 BPM | ||
| La Pata Negra | Pata Negra | E Major | 5 | 12B | 125 BPM | ||
| Waltz for Django | Antonio Forcione | E Minor | 3 | 9A | 95 BPM | ||
| Mr. Pastorius | Miles Davis | G Minor | 3 | 6A | 118 BPM | ||
| Throughout | Bill Frisell | A Major | 1 | 11B | 87 BPM | ||
| Chiquito - Instrumental | Paco de Lucía, John McLaughlin, Al Di Meola | E♭ Minor | 4 | 2A | 155 BPM | ||
| Summer Song | Yellowjackets | C Minor | 3 | 5A | 98 BPM | ||
| Lotus Feet - Live / Instrumental | John McLaughlin, T.H. Vinayakram, Hariprasad Chaurasia, Zakir Hussain, Uma Metha | C Major | 3 | 8B | 110 BPM | ||
| Lazy Sunny Day | The John Scofield Band | B♭ Major | 4 | 6B | 134 BPM | ||
| Soul Cowboy | Pat Metheny Trio | G Major | 2 | 9B | 73 BPM | ||
| Resuene | Pepe Habichuela | B Major | 3 | 1B | 115 BPM | ||
| Broken Heart | Al DiMeola Project | E Major | 1 | 12B | 116 BPM | ||
| Mevlevia | Gary Burton Quintet, Eberhard Weber | C Major | 3 | 8B | 123 BPM | ||
| After The Rain - Instrumental | John McLaughlin, Joey DeFrancesco, Elvin Jones | A♭ Major | 2 | 4B | 103 BPM | ||
| Epilogue - Instrumental | John McLaughlin | C Minor | 0 | 5A | 83 BPM | ||
| Telegram | John Abercrombie | G Major | 1 | 9B | 74 BPM | ||
| Like The Moon | The John Scofield Band | B Major | 2 | 1B | 130 BPM | ||
| A Love Supreme - alternate - take 2 | Carlos Santana, John McLaughlin | F♯ Minor | 7 | 11A | 122 BPM | ||
| Signals | Wayne Krantz | D Major | 7 | 10B | 100 BPM | ||
| Corner Pocket | Weather Report | F Major | 7 | 7B | 108 BPM | ||
| Peace One | John McLaughlin | A Minor | 4 | 8A | 90 BPM | ||
| Brazilian Like (Live) | Michel Petrucciani | B♭ Minor | 5 | 3A | 198 BPM | ||
| La Danse Du Bonheur (with John McLaughlin) | Shakti, John McLaughlin | D Major | 9 | 10B | 156 BPM |