T-SQUARE plus's ' "11月の雨" was released on its scheduled release date, December 4, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in T-SQUARE plus's "HISTORY" album is number 1 out of 9. On top of that, Japan appears to be the country where this track was created. 11月の雨 is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of 11月の雨 by T-SQUARE plus to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| TRUTH F1グランプリ(フォーミュラ1)テーマ曲 ORIGINAL COVER | Crimson Craftsman | D Minor | 9 | 7A | 156 BPM | ||
| Battle Scars | Marty Friedman | A Minor | 9 | 8A | 120 BPM | ||
| Sex with U | Solt B.B. | E Minor | 5 | 9A | 80 BPM | ||
| Straight to My Heart | Michiya Haruhata | E Major | 9 | 12B | 91 BPM | ||
| Hangar 1 | PROJECT ACES, Bandai Namco Game Music | D Minor | 3 | 7A | 82 BPM | ||
| 戦士 [M-8] | Kohei Tanaka | F Major | 9 | 7B | 148 BPM | ||
| ドクターXのテーマ | 沢田完 | F Minor | 8 | 4A | 104 BPM | ||
| GOOD EVENING | Toshiyuki Honda | B♭ Major | 9 | 6B | 110 BPM | ||
| Bon Voyage | TRIX | D Major | 10 | 10B | 114 BPM | ||
| 旅に出よう! | Satoshi Bandoh | D Major | 8 | 10B | 134 BPM | ||
| A FAREWELL TO THE SEASHORE 午後の水平線 | Naoya Matsuoka | D♭ Major | 5 | 3B | 119 BPM | ||
| Mirage | DIMENSION | G Minor | 8 | 6A | 122 BPM | ||
| THE FACE | T-SQUARE plus | D Minor | 9 | 7A | 148 BPM | ||
| JAZZY BULLETS | Larry Carlton, Tak Matsumoto | C Major | 9 | 8B | 219 BPM | ||
| Monsoon in Crimson | Ear Candy Jazz Factory | F Minor | 6 | 4A | 120 BPM | ||
| 激闘〜海原(M-52 Ctype) | 佐橋俊彦 | F♯ Major | 2 | 2B | 96 BPM | ||
| SACRED FIELD | 松本孝弘 | A Major | 10 | 11B | 133 BPM | ||
| CHILLON-WELCOME - Re-Take | Naoya Matsuoka | F Major | 8 | 7B | 108 BPM | ||
| 武藤敬司のテーマ HOLD OUT 2021 | Osamu Suzuki | B Minor | 10 | 10A | 113 BPM | ||
| Lust in Peace | Takayuki Negishi, Hudson | G Minor | 10 | 6A | 95 BPM | ||
| ARISTOTELES | TRIX | C Major | 9 | 8B | 129 BPM | ||
| STRIKE出撃 | Toshihiko Sahashi | F Minor | 8 | 4A | 156 BPM | ||
| 無限の未来 | makoto | D Minor | 5 | 7A | 108 BPM | ||
| 閃光の中のMS | Shigeaki Saegusa | A♭ Major | 5 | 4B | 92 BPM | ||
| J'S THEME | Michiya Haruhata | A Major | 8 | 11B | 110 BPM |