"Improvisations ⅩⅢ. éme Improvisation" by F. プーランク, 小田桐寛之(トロンボーン), 小田桐恵子(ピアノ) had its release date on June 24, 2005. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Improvisations ⅩⅢ. éme Improvisation's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Scaramouche". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Japan. Improvisations ⅩⅢ. éme Improvisation is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Improvisations ⅩⅢ. éme Improvisation by F. プーランク, 小田桐寛之(トロンボーン), 小田桐恵子(ピアノ) having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Trio in G Minor, Op. 17: III. Andante | Clara Schumann, Dartington Piano Trio | D Minor | 2 | 7A | 87 BPM | ||
| Poulenc: Flute Sonata, FP 164: III. Presto giocoso | Emmanuel Pahud, Eric Le Sage | G Major | 1 | 9B | 94 BPM | ||
| Andante et rondo, Op. 25: No. 1, Andante | Franz Doppler, Karl Doppler, Wolfgang Schulz, Matthias Schulz, Ferenc Bognar | A Major | 1 | 11B | 86 BPM | ||
| 組曲「展覧会の絵」~カタコンブ(ローマ時代の墓)(ムソルグスキー/ラヴェル編) | Modest Mussorgsky, Marcello Rota, Czech National Symphony Orchestra | G Major | 0 | 9B | 68 BPM | ||
| マズルカ | F. プーランク, 村田健司(バリトン・レジェ), 上原ひろ子(ピアノ) | C Major | 1 | 8B | 138 BPM | ||
| Ibert: 3 Pièces brèves: II. Andante | Jacques Ibert, Les Vents Français, Tullio Serafin, Philharmonia Orchestra | A♭ Major | 0 | 4B | 61 BPM | ||
| Petite pièce, L. 120 | Claude Debussy, Michael Collins, Michael McHale | D♭ Minor | 1 | 12A | 58 BPM | ||
| Flute Sonata, Op. 164: II. Cantilena | Francis Poulenc, Patrick Gallois, Lydia Wong | E♭ Minor | 0 | 2A | 66 BPM | ||
| Symphony No. 1 in E Major, Op. 26: I. Lento | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Concertino in E flat, J109 (Op. 26): III: Rondo (Allegretto) | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | G Minor | 0 | 6A | 68 BPM | ||
| Sonata for Flute and Piano (Orchestrated by Sir Lennox Berkeley): I. Allegro malinconico - Remastered | Francis Poulenc, James Galway, Charles Dutoit | C Major | 1 | 8B | 84 BPM | ||
| Horn Concerto in D: 1. Allegro moderato | František Xaver Pokorný, Hermann Baumann, Academy of St. Martin in the Fields, Iona Brown | D Major | 1 | 10B | 77 BPM | ||
| 愛の小径 | F. プーランク, 大森義基(サクソフォン), 白石光隆(ピアノ) | E♭ Major | 0 | 5B | 123 BPM | ||
| Lieder ohne Worte, Op. 67: No. 4 Presto "Spinnerlied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | C Major | 3 | 8B | 159 BPM | ||
| ナゼルの夜会 変奏5. 口車の魅力 | F. プーランク, 伊藤曜子(ピアノ) | C Major | 3 | 8B | 142 BPM | ||
| Concerto for Cello and Orchestra No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Hee-young Lim | C Major | 1 | 8B | 116 BPM | ||
| Piano Concerto for the Left Hand No. 1: III. Var. 3 | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
| Préludes, Book 1, CD 125, L. 117: VIII. La fille aux cheveux de lin (Arr. for Flute & Piano by Ana de la Vega) | Claude Debussy, Ana de la Vega, Paul Rivinius | G Major | 0 | 9B | 91 BPM | ||
| Schumann: Romanzen, Op. 94: II. Einfach, innig | Robert Schumann, Anneleen Lenaerts, Dionysis Grammenos | A Major | 0 | 11B | 114 BPM | ||
| Clarinet Concerto No. 1 in C Minor, Op. 26: II. Adagio | Louis Spohr, Karl Leister, Radio Sinfonieorchester Stuttgart des SWR, Rafael Frühbeck de Burgos | A♭ Major | 0 | 4B | 73 BPM | ||
| Jūra, MKČ 102: V. Recapitulation | Mikalojus Konstantinas Čiurlionis, Lithuanian National Symphony Orchestra, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| 3 Romanzen, Op. 94: III. Nicht schnell | Robert Schumann, Céline Moinet, Florian Uhlig | D Major | 0 | 10B | 169 BPM | ||
| Le Tombeau des seventies: II. Néo-Menuet 1770 | Guillaume Connesson, Stradivaria, Guillaume Cuiller | E♭ Major | 0 | 5B | 139 BPM | ||
| Petit Quatour pour Saxophones - Arr. Rainer Schottstadt: 2. Cantilène | Jean Françaix, The Clarinotts | F Minor | 0 | 4A | 134 BPM | ||
| Piano Concerto in E-Flat Major, Op. 4, P. 229: II. Andante moderato | Franz Danzi, Munich Chamber Orchestra, Nareh Arghamanyan, Howard Griffiths | B♭ Major | 0 | 6B | 106 BPM |