After the Fall's 'The Calling' had a release date set for April 8, 2016. This song is quite longer than the average track at 5 minutes and 21 seconds. With that being said, this track is also considered explicit and may be offensive to some people. The song is number 4 out of 4 in Deadly Desire by After the Fall. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of The Calling is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Calling by After the Fall is Presto (very, very fast), since this song has a tempo of 183 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don't Wanna Be Left Out | Powderfinger | F Minor | 10 | 4A | 174 BPM | ||
| Spent | Something With Numbers | B♭ Major | 8 | 6B | 184 BPM | ||
| Kick A Hole In The Sky | You Am I | A Major | 9 | 11B | 125 BPM | ||
| Sleepwalking | Faker | A Minor | 8 | 8A | 118 BPM | ||
| Try | Dear Seattle | G Major | 9 | 9B | 122 BPM | ||
| Borders and Statelines | Luca Brasi | A Major | 9 | 11B | 165 BPM | ||
| What If | Cog | A♭ Major | 7 | 4B | 144 BPM | ||
| Glad That You're Gone | The Hard Aches | G Major | 9 | 9B | 137 BPM | ||
| Nothin' To Do With The Weather | Tumbleweed | G Major | 9 | 9B | 146 BPM | ||
| Exerciser | Rhubarb | G Major | 9 | 9B | 118 BPM | ||
| Gunslingers | You Am I | D Major | 8 | 10B | 153 BPM | ||
| Remote Controller | Bodyjar | G Major | 9 | 9B | 177 BPM | ||
| Absentee Without Leave | After the Fall | D Major | 10 | 10B | 176 BPM | ||
| Plastic Loveless Letter | Magic Dirt | D Major | 9 | 10B | 140 BPM | ||
| Carve Your Name | The Grates | E Major | 9 | 12B | 143 BPM | ||
| Birthday | Big Heavy Stuff | D Major | 7 | 10B | 83 BPM | ||
| Leaving Home | Jebediah | F♯ Major | 8 | 2B | 122 BPM | ||
| Lost It Again | After the Fall | D Major | 7 | 10B | 154 BPM | ||
| Class Celebrities | Killing Heidi | A Major | 10 | 11B | 186 BPM | ||
| Airport Tags | British India | A♭ Major | 8 | 4B | 96 BPM | ||
| Reptile | Calling All Cars | D♭ Major | 10 | 3B | 154 BPM | ||
| Lies | After The Fall | D♭ Minor | 9 | 12A | 174 BPM | ||
| Any Day | Violetine | D Major | 7 | 10B | 83 BPM | ||
| Promise Me | The Hot Lies | B♭ Minor | 10 | 3A | 183 BPM | ||
| Thunder | The Mavis's | D Major | 8 | 10B | 98 BPM |