"Tannhäuser / Derivè" by Refused had its release date on 1998. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 24 in the song's album "The Shape Of Punk To Come (Deluxe Edition)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Tannhäuser / Derivè's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tannhäuser / Derivè by Refused having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lie Lied Lies | Melt-Banana | A Minor | 10 | 8A | 117 BPM | ||
| No Spiritual Surrender | Inside Out | E Major | 5 | 12B | 88 BPM | ||
| Malko | Russian Circles | A Major | 10 | 11B | 176 BPM | ||
| The Force Majeure | Boysetsfire | D Major | 9 | 10B | 121 BPM | ||
| Recorded Inside a Pyramid | Daughters | D♭ Major | 9 | 3B | 82 BPM | ||
| Prince Squid | These Arms Are Snakes | B Minor | 9 | 10A | 130 BPM | ||
| Assemble The Empire | Sparta | F♯ Minor | 9 | 11A | 147 BPM | ||
| New Toy | The Ghost Of A Thousand | E Minor | 10 | 9A | 160 BPM | ||
| John Woo | Botch | E♭ Major | 8 | 5B | 168 BPM | ||
| Guns Without Bullets | The Bronx | A Minor | 10 | 8A | 114 BPM | ||
| Grace Obscure | The Armed | B Major | 9 | 1B | 100 BPM | ||
| Forever Scum | The Armed | A Major | 10 | 11B | 107 BPM | ||
| Woolen Heirs | These Arms Are Snakes | A Major | 10 | 11B | 114 BPM | ||
| I Am Not Me | Refused | D♭ Major | 9 | 3B | 167 BPM | ||
| Let It Come | Hot Snakes | B Minor | 9 | 10A | 174 BPM | ||
| Slaughterhouse | Chat Pile | A♭ Minor | 10 | 1A | 151 BPM | ||
| Hell to Pay | Converge | A Major | 7 | 11B | 103 BPM | ||
| Sweet Georgia Brown | Daughters | D♭ Minor | 9 | 12A | 152 BPM | ||
| The World Loves Us And Is Our Bitch | Mclusky | B Minor | 10 | 10A | 166 BPM | ||
| Our Queens (One Is Many, Many Are One) | Daughters | D Major | 9 | 10B | 96 BPM | ||
| Horse Girl | These Arms Are Snakes | C Major | 10 | 8B | 149 BPM | ||
| Horse Hunter | The Dillinger Escape Plan | G Major | 10 | 9B | 106 BPM | ||
| All We Love We Leave Behind | Converge | A♭ Major | 10 | 4B | 147 BPM | ||
| Screen Shot | Swans | D Major | 6 | 10B | 143 BPM | ||
| Decay of the Delay | Cave In | A♭ Major | 9 | 4B | 127 BPM |