Ravindra Jain's ' "Vardhaman Pad Shis" was released on its scheduled release date, December 27, 2021. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Vardhaman Pad Shis's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 7 in Chintamani Parasnath Pujan by Ravindra Jain. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Vardhaman Pad Shis is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Vardhaman Pad Shis by Ravindra Jain is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nagri Ho Ayodhya Si | Prakash Gandhi | A♭ Major | 8 | 4B | 90 BPM | ||
| Leke Pooja Ki Thali (From "Jai Maa Vaishno Devi") | Suresh Wadkar | A Major | 8 | 11B | 92 BPM | ||
| Ajab Hai Teri Maya | Sukhwinder Singh | A♭ Minor | 5 | 1A | 95 BPM | ||
| Apna Bana Lo Shyam | Upasana Mehta | F♯ Major | 6 | 2B | 80 BPM | ||
| Zara Halke Gaadi Haako | Kumar Vishwas | A Minor | 5 | 8A | 115 BPM | ||
| Ram Ji Ki Sena Chali | Ravindra Jain, Mahendra Kapoor | G Minor | 3 | 6A | 132 BPM | ||
| Ankhiyon Ke Jharokhon Se - Part 2 | Hemlata, Ravindra Jain | F Minor | 4 | 4A | 120 BPM | ||
| Mero Lala Jhule Palna | Mridul Krishan Shastri | E Major | 9 | 12B | 124 BPM | ||
| Mera Apki Kripa Se | Chetna | F♯ Major | 6 | 2B | 100 BPM | ||
| Daasi Hu Teri Shyama | Sadhvi Purnima Ji | D Major | 7 | 10B | 103 BPM | ||
| Bajarangi Laye Khabariya Ram Aate Nagariya | Pujya Rajan Ji Official | E♭ Major | 6 | 5B | 128 BPM | ||
| Baanke Bihari Tere Nayna Kajraare | Bhaiya Krishan Das Ji | A♭ Major | 8 | 4B | 82 BPM | ||
| Mano Toh Main Ganga Maa Hoon | Tripti Shakya | F♯ Major | 4 | 2B | 110 BPM | ||
| Mera Apaki Kripa Se | chronically online | F Major | 4 | 7B | 100 BPM | ||
| De De Thoda Pyaar | Lakhbir Singh Lakkha | F Minor | 4 | 4A | 103 BPM | ||
| Radha Raman Mere Ghar Aavenge | Harinaam Das | E Minor | 9 | 9A | 111 BPM | ||
| Rom Rom Mein Basne Wale Ram | Asha Bhosle | A Minor | 4 | 8A | 111 BPM | ||
| Mere Man Mein Bhi Ram Mere Tan Mein Bhi Ram | Dhiraj Sharma | B Minor | 5 | 10A | 102 BPM | ||
| Ab Saunp Diya Iss Jeevan Ka | Upasana Mehta | B♭ Major | 7 | 6B | 90 BPM | ||
| Mujhe Gale Se Lga Lo | Giriraj Kumar | D♭ Major | 8 | 3B | 110 BPM | ||
| Meri Laaj Rakhna | Sanjay Mittal | E Major | 9 | 12B | 144 BPM | ||
| Maa Baap Ko Mat Bhoolna | Rajesh Chandra | C Minor | 2 | 5A | 109 BPM | ||
| Mera Koi Na Sahara Bin Tere Ghanshyam | Puran Shiva | D Major | 6 | 10B | 80 BPM | ||
| Shri Ram Ko Dekhkar Shri Janak Nandini | Pujya Prembhushanji Maharaj | E♭ Major | 7 | 5B | 130 BPM | ||
| Meri Ankhiyon Ke Samne | Lakhbir Singh Lakkha | D♭ Major | 9 | 3B | 102 BPM |