Take It To Eleven
Alec Brian Puro, Raney Shockne
Jazz Ultra Lounge, Vol. 2
1:44 April 23, 2012
BPM
120
Key
A Minor
Camelot
8A

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Take It To Eleven by Alec Brian Puro, Raney Shockne Song Details

Alec Brian Puro, Raney Shockne's ' "Take It To Eleven" was released on its scheduled release date, April 23, 2012. With This song being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Alec Brian Puro, Raney Shockne's "Jazz Ultra Lounge, Vol. 2" album is number 19 out of 19. On top of that, United States appears to be the country where this track was created. Based on our statistics, Take It To Eleven's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

BPM and Tempo

We consider the tempo marking of Take It To Eleven by Alec Brian Puro, Raney Shockne to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Music Key

A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-13.048 dB
Acousticness
76%
Danceability
42%
Energy
22%
Instrumentalness
56%
Liveness
24%
Loudness
78%
Speechiness
4%
Valence
64%

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ISRC
USR230825093
Label
L-M Records/RCA Records