Matt Reed's 'Line After Line' had a release date set for February 28, 2024. Line After Line is 2 minutes and 39 seconds long and may contain bad words that may be unsuitable for children. The song is number 14 out of 14 in Challenges Make Champions by Matt Reed. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Line After Line is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Line After Line by Matt Reed is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 5/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Goddesses | Azad | F♯ Minor | 6 | 11A | 190 BPM | ||
| Grindin' | Norman Perry | A Major | 4 | 11B | 113 BPM | ||
| Cocaine Rain | Lais | D♭ Minor | 6 | 12A | 114 BPM | ||
| Thats My Boy | Splash63 | G Major | 4 | 9B | 135 BPM | ||
| Fort Worth | Chevy Woods | D♭ Major | 5 | 3B | 107 BPM | ||
| Like Before (Come Through) - Radio Edit | TheMattReedProject, Matt Reed | A Major | 4 | 11B | 130 BPM | ||
| Ideal | Ribers | A Minor | 4 | 8A | 100 BPM | ||
| POLAROID | B1uan | E Minor | 7 | 9A | 104 BPM | ||
| Paul Masson (feat. Wiz Khalifa) | Fre$H, Wiz Khalifa | G Minor | 5 | 6A | 140 BPM | ||
| What To Do | Ye Ali | D♭ Minor | 5 | 12A | 107 BPM | ||
| Stay Focused | ShaqIsDope | G Minor | 5 | 6A | 130 BPM | ||
| Alone / EA6 | 6LACK | A Major | 7 | 11B | 125 BPM | ||
| Our Glass | Spence Lee, SaBang | C Major | 5 | 8B | 120 BPM | ||
| Faded | Jimmy Prime | D♭ Minor | 5 | 12A | 167 BPM | ||
| Too Many Options | Matt Reed | B♭ Minor | 7 | 3A | 121 BPM | ||
| Brilliant Bitch | SAINt JHN | A♭ Major | 3 | 4B | 117 BPM | ||
| Driven (feat. Safe) | Jay Whiss, Safe | F♯ Minor | 5 | 11A | 149 BPM | ||
| Seven Seas (Deep Blue) | Matt Reed | A Minor | 6 | 8A | 170 BPM | ||
| Life of the Party | Scotty ATL | A♭ Major | 5 | 4B | 96 BPM | ||
| Gone Til November | Young Roc, Nasaan | G Minor | 5 | 6A | 163 BPM | ||
| the real! - interlude | Tobilla, Swan Lingo | F Minor | 6 | 4A | 97 BPM | ||
| Ocean Drive Dreams (Oasis) | TheMattReedProject, Matt Reed | F Minor | 7 | 4A | 97 BPM | ||
| On My Way to You | D'african | D Major | 6 | 10B | 100 BPM | ||
| Manage | Coreyleyrty | A♭ Major | 7 | 4B | 152 BPM | ||
| Some Nights | SAINt JHN | F♯ Minor | 4 | 11A | 82 BPM |