"Снегурочка, действие IV: Заключительный хор. Гимн "Свет и сила - Бог Ярило"" by Татьяна Ерастова, Александр Федин, Людмила Сергиенко, Раиса Котова, Александр Архипов, Konstantin Baskov, Юрий Маркелов, Николай Низиенко, Станислав Сулейманов, Борис Морозов, хор Большого театра, Александр Лазарев, Оркестр Большого театра had its release date on November 18, 2014. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Снегурочка, действие IV: Заключительный хор. Гимн "Свет и сила - Бог Ярило"'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in Римский-Корсаков: Снегурочка, so we believe that "Снегурочка, действие IV: Заключительный хор. Гимн "Свет и сила - Бог Ярило"" is a single. Снегурочка, действие IV: Заключительный хор. Гимн "Свет и сила - Бог Ярило" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Снегурочка, действие IV: Заключительный хор. Гимн "Свет и сила - Бог Ярило" by Татьяна Ерастова, Александр Федин, Людмила Сергиенко, Раиса Котова, Александр Архипов, Konstantin Baskov, Юрий Маркелов, Николай Низиенко, Станислав Сулейманов, Борис Морозов, хор Большого театра, Александр Лазарев, Оркестр Большого театра is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rossini: Guillaume Tell, Act 1 Scene 2: "Près des torrents qui grondent" (Melchthal, Guillaume, Jemmy, Hedwige, Arnold, Ruodi, Chorus) | Gioachino Rossini, Marie-Nicole Lemieux, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 7 | 9B | 78 BPM | ||
| Eugene Onegin, Op. 24, TH 5, Eugene Onegin, Op. 24, Act II: Uzhel ya zasluzhil ot vas nasmyeshku etu? | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | A Minor | 1 | 8A | 71 BPM | ||
| Aida, Act I: Quale insolita gioia | Giuseppe Verdi, Elena Obraztsova, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | A♭ Major | 0 | 4B | 81 BPM | ||
| Andrea Chénier / Act 1: Il giorno intorno già s'insera lentamente! ... Via, | Umberto Giordano, Montserrat Caballé, Leo Nucci, Astrid Varnay, Kathleen Kuhlmann, National Philharmonic Orchestra, Riccardo Chailly | D Major | 1 | 10B | 79 BPM | ||
| Giménez & Vives: El húsar de la guardia: "Un pobre nido" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | B♭ Major | 1 | 6B | 127 BPM | ||
| Salome, Op. 54 / Scene 3: "Wird dir nicht bange, Tochter der Herodias?" | Richard Strauss, Cheryl Studer, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | G Major | 2 | 9B | 95 BPM | ||
| Tosca, Act I: Or tutto è chiaro – Mario! Mario! | Giacomo Puccini, Eleonora Buratto, Ludovic Tezier, Davide Giangregorio, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| La Giaconda, Act 2, The Rosary: Sailors' Song "Ho! He! Ho! He!" (Sailors, Boys, Barnaba, Pilot) - "Recitative and Barcarolle "Pescator, affonda l'esca" [Barnaba, Pilot, Sailors, Boys] | Amilcare Ponchielli, Angelo Nardinocchi, Massimiliano Travagliati, Coro di Voci Bianche del Teatro “Giuseppe Verdi” di Salerno, Silvana Noschese, Coro del Teatro dell'Opera di Salerno, Luigi Petrozziello, Orchestra Filarmonica Salernitana “Giuseppe Verdi”, Yishai Steckler | F Major | 2 | 7B | 99 BPM | ||
| La Bohème / Act 1: "Chi è là?" - Live | Giacomo Puccini, Anna Netrebko, Rolando Villazón, Bavarian Radio Symphony Orchestra, Bertrand de Billy | E Minor | 0 | 9A | 77 BPM | ||
| La Gioconda / Act 1: Maledici? sta ben | Amilcare Ponchielli, Sherrill Milnes, Regolo Romani, Montserrat Caballé, National Philharmonic Orchestra, Bruno Bartoletti | A Minor | 0 | 8A | 164 BPM | ||
| Il Turco in Italia: Non si da follia maggiore | Gioachino Rossini, Olga Peretyatko, Miguel Gomez-Martinez | D Major | 1 | 10B | 93 BPM | ||
| Lucia di Lammermoor / Act 3: "Ah! cessate quel contento" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 1 | 9B | 84 BPM | ||
| La Cenerentola: Acto II: "Nacqui All'affanno e al Pianto" - "Non Più Mesta Accanto al Fuoco" | Victoria de los Ángeles | E Major | 2 | 12B | 114 BPM | ||
| Manon Lescaut, Act II: Dispettosetto questo riccio! | Giacomo Puccini, Mirella Freni, Dwayne Croft, Metropolitan Opera Orchestra, James Levine | B Minor | 0 | 10A | 91 BPM | ||
| Rossini: Petite messe solennelle: XI. Et resurrexit | Gioachino Rossini, Antonio Pappano, Alex Esposito, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Francesco Meli, Marina Rebeka, Sara Mingardo, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Minor | 1 | 3A | 85 BPM | ||
| Rigoletto / Act 3: Chi è mai, chi è qui in sua vece? (Rigoletto, Gilda) | Giuseppe Verdi, Vladimir Chernov, Cheryl Studer, Metropolitan Opera Orchestra, James Levine | D♭ Minor | 1 | 12A | 178 BPM | ||
| Beatrice di Tenda: Act I Scene 1: Ah! non pensar che pieno (Agnese, Filippo, Choir) | Vincenzo Bellini, Camille Capasso, Fabio Luisi, Paolo Gavanelli, Chorus of the German Opera House Berlin, German Opera House Berlin Orchestra | A♭ Major | 1 | 4B | 101 BPM | ||
| Offenbach: Les Brigands, Act 1: No. 1bis, Mélodrame - No. 2, Couplets de Fiorella, "Au chapeau, je porte une aigrette" (Fiorella, Choeur) | Jacques Offenbach, John Eliot Gardiner - Choeurs De L'Opéra National De Lyon - Orch Nat Opéra De Lyon - Ghyslaine Raphanel, Orchestre De L'Opéra National De Lyon | A Major | 2 | 11B | 123 BPM | ||
| Bizet: Les pêcheurs de perles, Act 1: "C'est toi ! Toi qu'enfin je revois !" (Zurga, Nadir) | Georges Bizet, Pierre Dervaux, Ernest Blanc, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | E Major | 1 | 12B | 165 BPM | ||
| Bellini: I puritani: "Cavalier! – Se t’è d’uopo di consiglio" (Enrichetta, Arturo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Simon Boccanegra: Act I: Cielo di stelle orbato (Gabriele, Amelia) | Giuseppe Verdi, Francesco Meli, Marina Rebeka, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | A Minor | 2 | 8A | 80 BPM | ||
| Falstaff / Act 1: "Pst, pst, Nannetta" | Giuseppe Verdi, Daniil Shtoda, Dorothea Röschmann, Adrianne Pieczonka, Stella Doufexis, Larissa Diadkova, Berliner Philharmoniker, Claudio Abbado | D♭ Major | 1 | 3B | 93 BPM | ||
| Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Duet. "Akh, noch minula" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Ruthild Engert-Ely, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
| Roméo et Juliette / Act 2: "L'amour! L'amour! ...Ah! lève-toi, soleil!" | Charles Gounod, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | B Major | 2 | 1B | 91 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Mir ist so wohl, ich weiss nicht wie!" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | A♭ Major | 0 | 4B | 116 BPM |