"Cyanide Systems Offline" by Jason Graves, EA Games Soundtrack had its release date on November 11, 2008. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 17 in Dead Space (Original Soundtrack) by Jason Graves, EA Games Soundtrack. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Cyanide Systems Offline is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Cyanide Systems Offline by Jason Graves, EA Games Soundtrack is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Liberation Main Theme | Winifred Phillips, Assassin's Creed | E Minor | 8 | 9A | 189 BPM | ||
| To Find What Was Lost | Niels van der Leest | A Major | 3 | 11B | 134 BPM | ||
| The Enclave | Sarah Schachner | A♭ Major | 3 | 4B | 73 BPM | ||
| Deep Shadows | Bill Brown | D♭ Major | 3 | 3B | 85 BPM | ||
| Theme for Unknown | Mikko Tarmia | B♭ Major | 3 | 6B | 68 BPM | ||
| Byzantium | Justin E. Bell | G Minor | 1 | 6A | 78 BPM | ||
| The Underdark | Lorne Balfe | A Minor | 3 | 8A | 139 BPM | ||
| Treason | Lorne Balfe | E Minor | 2 | 9A | 110 BPM | ||
| Voices in the Vaults | Brad Derrick | C Minor | 1 | 5A | 85 BPM | ||
| Sir Galahad | Jason Graves | E Minor | 2 | 9A | 92 BPM | ||
| Main Theme | Daniel Licht | C Major | 1 | 8B | 79 BPM | ||
| Tombs and Tunnels | Kevin Riepl | G Major | 2 | 9B | 160 BPM | ||
| Survival Overture | Metal Gear Sound Team, Naoki Nakashima | D♭ Minor | 1 | 12A | 138 BPM | ||
| Uncertain Crossroads | Jon Everist, Paradox Interactive | D Major | 5 | 10B | 145 BPM | ||
| Phineas Escapes | Justin E. Bell | A Major | 4 | 11B | 143 BPM | ||
| Life in Galaxy | Benny Marshal, Benny King | F Minor | 3 | 4A | 66 BPM | ||
| The Normandy | Sam Hulick, EA Games Soundtrack | E Minor | 5 | 9A | 140 BPM | ||
| Ambients | Daniel Licht | E Minor | 1 | 9A | 89 BPM | ||
| Endless Night | Neal Acree | B♭ Minor | 2 | 3A | 139 BPM | ||
| Underdark | Scorewizard | A Major | 2 | 11B | 69 BPM | ||
| Versailles for Sore Eyes | Chris Tilton, Assassin's Creed | A Minor | 0 | 8A | 86 BPM | ||
| Tales from the Cursed Forest, Pt. I | Migova | F Major | 7 | 7B | 160 BPM | ||
| The Scavenger's Den | Jason Graves | F Major | 2 | 7B | 86 BPM | ||
| Finis Est Principium Alterius | Petri Alanko | C Major | 2 | 8B | 112 BPM | ||
| Crescendo | Ryan Roth, Halina Heron | G Major | 1 | 9B | 140 BPM |