Mildred Bailey's 'Give Me Time - Take 1' had a release date set for 1933. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "The Incomparable Mildred Bailey". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Give Me Time - Take 1 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Give Me Time - Take 1 by Mildred Bailey having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Racing with the Moon | Vaughn Monroe | A Major | 3 | 11B | 138 BPM | ||
| Breezin' Along with the Breeze | The Merry Macs | F Minor | 2 | 4A | 157 BPM | ||
| Last Night's Gardenias | Glen Gray, Kenny Sargent, Casa Loma Orchestra | D♭ Major | 1 | 3B | 99 BPM | ||
| After I Say I'm Sorry | Ella Fitzgerald and Her Famous Orchestra | A♭ Major | 3 | 4B | 80 BPM | ||
| It Had To Be You | Betty Hutton, Robert Norberg | B♭ Minor | 1 | 3A | 97 BPM | ||
| You Won't Be Satisfied (Until You Break My Heart) (with Les Brown & His Orchestra) | Doris Day, Les Brown & His Orchestra | F♯ Minor | 1 | 11A | 74 BPM | ||
| I'd Know You Anywhere | Irene Kral | G Major | 4 | 9B | 75 BPM | ||
| Ooh Baby You Knock Me Out | Billy Kyle | G Minor | 0 | 6A | 98 BPM | ||
| All My Life | Helen Ward | F Minor | 2 | 4A | 77 BPM | ||
| It's Magic | Beverly Kenney | F Major | 1 | 7B | 68 BPM | ||
| Mean to Me | Annette Hanshaw | C Major | 1 | 8B | 145 BPM | ||
| Moonray | Dakota Staton | G Minor | 1 | 6A | 121 BPM | ||
| All the Things You Are | Helen Forrest, Artie Shaw | C Major | 1 | 8B | 114 BPM | ||
| St louis blues | Mildred Bailey & Her Orchestra, Mildred Bailey | G Major | 4 | 9B | 81 BPM | ||
| Down hearted blues | Mildred Bailey | D♭ Major | 1 | 3B | 96 BPM | ||
| Stormy Weather | Lee Wiley | D♭ Major | 1 | 3B | 99 BPM | ||
| How Long Did I Dream? | Kay Kyser & His Orchestra, Ginny Simms | D♭ Major | 1 | 3B | 99 BPM | ||
| Old Fashioned Romance | Lee Morse, her Blue Grass Boys | D♭ Major | 1 | 3B | 99 BPM | ||
| Midnight, The Stars Aand You | Hal Kemp And His Orchestra, Bob Allen | F Major | 2 | 7B | 68 BPM | ||
| Kinda Lonesome - Remastered | Maxine Sullivan | E♭ Major | 0 | 5B | 73 BPM | ||
| Deep Purple | Bea Wain | D♭ Major | 1 | 3B | 99 BPM | ||
| Maria Elena | Jimmy Dorsey | D♭ Major | 1 | 3B | 99 BPM | ||
| Rhythm Is Our Business | Jimmie Lunceford & His Orchestra | G Major | 3 | 9B | 111 BPM | ||
| Too Marvellous for Words | Carroll Gibbons, The Savoy Hotel Orpheans | D♭ Major | 1 | 3B | 75 BPM | ||
| After Sundown (11-14-33) | Don Redman | B Major | 1 | 1B | 112 BPM |