Gabriel Mark Hasselbach's 'Blue Miles' had a release date set for March 25, 2022. This song is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. The track order of this song in Gabriel Mark Hasselbach's "Mid Century Modern, Vol. 3" album is number 10 out of 15. On top of that, Canada appears to be the country where this track was created. Based on our statistics, Blue Miles's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Blue Miles by Gabriel Mark Hasselbach to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mercy Mercy Me | Jeff Golub | E Major | 6 | 12B | 97 BPM | ||
| How 'Bout That | Kevin Toney | A Minor | 8 | 8A | 110 BPM | ||
| I'm Ok (feat. Gabriel Mark Hasselbach) | Rob Tardik, Gabriel Mark Hasselbach | B♭ Minor | 6 | 3A | 88 BPM | ||
| In the Light | Les Sabler | E Minor | 8 | 9A | 110 BPM | ||
| Sao Paulo | Rick Braun/Richard Elliot | C Minor | 5 | 5A | 97 BPM | ||
| Mysterie | Tony Guerrero | F Minor | 4 | 4A | 83 BPM | ||
| Ferryway Balance | Shoreline Collective | G Minor | 9 | 6A | 105 BPM | ||
| Dance With Me | Jonathan Fritzén | B♭ Minor | 5 | 3A | 103 BPM | ||
| Sunseeker | Gabriel Mark Hasselbach, Marion Meadows | A♭ Minor | 5 | 1A | 108 BPM | ||
| At Your Service | Oli Silk, Julian Vaughn | E Minor | 7 | 9A | 125 BPM | ||
| The High Road | Will Donato | G Major | 7 | 9B | 89 BPM | ||
| Lemonade | Robert Cutarella, Gabriel Mark Hasselbach | C Minor | 4 | 5A | 126 BPM | ||
| Details | Jacob Webb, Stantawn Kendrick | E♭ Major | 8 | 5B | 112 BPM | ||
| Tiempo Transparente | Aurelia Wave | G Minor | 9 | 6A | 105 BPM | ||
| Whispering Pages | Aurelia Wave | G Minor | 9 | 6A | 105 BPM | ||
| Getting Close | Dan Siegel | D♭ Major | 6 | 3B | 89 BPM | ||
| Leave the Light on | Charles Langford | D Minor | 6 | 7A | 86 BPM | ||
| Pacific Breeze | Gail Jhonson, Nelson Braxton | F Minor | 5 | 4A | 97 BPM | ||
| French Connection | Marc Antoine & Paul Brown | G Minor | 9 | 6A | 105 BPM | ||
| Open Door | Vibes Alive | B Minor | 6 | 10A | 87 BPM | ||
| Smile | Brian Hughes | A♭ Major | 7 | 4B | 136 BPM | ||
| Positive Space | Gabriel Mark Hasselbach | G Minor | 5 | 6A | 97 BPM | ||
| Coming Of The New | Marcus Johnson | G Major | 5 | 9B | 97 BPM | ||
| So Much | Lisa Addeo | C Minor | 7 | 5A | 80 BPM | ||
| Suede | Marion Meadows | A Minor | 6 | 8A | 100 BPM |