"Auguries Of Innocence" by William Blake had its release date on 2002. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Various Artists's "Listen To Britain" album is number 42 out of 46. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Auguries Of Innocence is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Auguries Of Innocence by William Blake to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
The music key of this track is D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Ashokan Farewell | Jay Ungar, Nil, Captain John Perkins, The Band Of H.M. Royal Marines, Plymouth | D Major | 0 | 10B | 88 BPM | ||
| The Lily and the Rose | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 0 | 8A | 69 BPM | ||
| Requiem, Op. 48 (Original Version): V. In Paradisum | Gabriel Fauré, Chœur De Chambre De Namur, Millenium Orchestra, Thibaut Lenaerts | D Minor | 1 | 7A | 174 BPM | ||
| Introduction to the Songs of Innocence | Neural Nomads, William Blake | A Major | 4 | 11B | 93 BPM | ||
| Som hjorten törstar | Sven-Erik Bäck, Swedish Chamber Choir, Simon Phipps | D Major | 2 | 10B | 87 BPM | ||
| 5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 3, Carol. Andante semplice | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | B♭ Major | 0 | 6B | 78 BPM | ||
| Track 35 - Songs of Innocence and of Experience | William Blake, Tim Bruce | G Major | 2 | 9B | 66 BPM | ||
| Ego Flos Campi | Jacob Clemens non Papa, Stile Antico | A♭ Major | 1 | 4B | 134 BPM | ||
| The Armed Man - A Mass For Peace: XII. Benedictus | Karl Jenkins, London Philharmonic Orchestra, National Youth Choir Of Great Britain, Mike Brewer, Guy Johnston | D Major | 0 | 10B | 79 BPM | ||
| Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM | ||
| true love | Rebecca Dale, Ben Russell, Richard Harwood, Klara Romac, Tom Walley, Olivia Jageurs, Tenebrae, Nigel Short | G Major | 1 | 9B | 84 BPM | ||
| Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM | ||
| The Woman with the Alabaster Box | Arvo Pärt, The Sixteen, Harry Christophers | D Major | 1 | 10B | 81 BPM | ||
| Organoedia ad missam lectam, K. 186: V. Sanctus | Zoltán Kodály, Iain Quinn | A Major | 0 | 11B | 68 BPM | ||
| the sense of senses | David Lang, The Crossing, Donald Nally | G Minor | 2 | 6A | 92 BPM | ||
| All-Night Vigil, Op. 37: III. Blessed is the man | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Toby Vaughn Kidd | D♭ Minor | 0 | 12A | 76 BPM | ||
| Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM | ||
| Requiem: XIV. Requiem | Alfred Schnittke, NDR Vokalensemble, Klaas Stok, Bernhard Fograscher, Fanis Gioles, Thomas Emanuel Cornelius, Michael Schröder, Sven Gätjens, Eunsol Hong, Yang-Hung Huang | F Major | 0 | 7B | 132 BPM | ||
| Ave Maria, WAB 6 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 83 BPM | ||
| The Armed Man - A Mass For Peace: III. Kyrie | Karl Jenkins, Mike Brewer, London Philharmonic Orchestra | D Minor | 2 | 7A | 82 BPM | ||
| Ten Songs of Experience for mixed choir a cappella: To Tirzah | William Blake, Goeyvaerts Consort, Els Crommen, Marc Legros, Bart Meynckens, Marc Michael de Smet | C Minor | 0 | 5A | 111 BPM | ||
| 4 Tantum ergo, WAB 41: No. 4 in C Major (Version for Choir) | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 69 BPM | ||
| The Crucifixion: IX. Chorus – God so loved the world | John Stainer, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson | E Major | 2 | 12B | 76 BPM | ||
| Behold, How Good and Joyful a Thing It Is | Thomas Wilson, The Choir of Peterhouse, Cambridge, Simon Jackson | C Major | 1 | 8B | 171 BPM | ||
| Magnificat & Nunc Dimittis: Magnificat - Collegium Regale | Herbert Howells, The Choir of St John's College, Cambridge, Andrew Nethsingha, Glen Dempsey | G Minor | 1 | 6A | 115 BPM |