"On Home Leave" by Luke Richards had its release date on July 3, 2020. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Luke Richards's "Letters From The Front" album is number 2 out of 7. On top of that, United Kingdom appears to be the country where this track was created. On Home Leave is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of On Home Leave by Luke Richards to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Greatest Love | Taran Mitchell | B Major | 4 | 1B | 147 BPM | ||
| The Life I Left Behind | David Buckley, Luke Richards | D Major | 1 | 10B | 140 BPM | ||
| Love like an Ocean | Austin Fray, Hannah Delynn | A Major | 2 | 11B | 77 BPM | ||
| Johanna & Rachel | David Buckley | E Major | 1 | 12B | 78 BPM | ||
| A Ripple in Time | Jordan Critz | A Minor | 1 | 8A | 174 BPM | ||
| Pictures from the Past | Aleksey Chistilin | A♭ Major | 0 | 4B | 65 BPM | ||
| Reach | Eternal Eclipse | E♭ Minor | 5 | 2A | 69 BPM | ||
| Urano | Niklas Wagner | B Minor | 2 | 10A | 176 BPM | ||
| Escaping Forever | Michael Vignola | C Minor | 1 | 5A | 122 BPM | ||
| Caronte - Instrumental | Giovanni Di Bernardo | G Minor | 3 | 6A | 142 BPM | ||
| Arrival of Tomorrow | Christoffer Franzen | B Minor | 4 | 10A | 115 BPM | ||
| And We Collide Into Nothingness | Christoffer Franzen | E Minor | 3 | 9A | 117 BPM | ||
| Leave No One Behind | Bonnie Grace | D♭ Major | 2 | 3B | 140 BPM | ||
| An Isolated Moment | Keith Merrill | A♭ Major | 2 | 4B | 78 BPM | ||
| Ray's Confession | David Buckley, Luke Richards | D Major | 1 | 10B | 140 BPM | ||
| Close Your Eyes | Tom Player | D Minor | 4 | 7A | 75 BPM | ||
| The Arrival | Johan Söderqvist | B Minor | 1 | 10A | 129 BPM | ||
| Nevertheless, She Persisted | Audiomachine | C Major | 5 | 8B | 117 BPM | ||
| Extraordinary Life | InfraSound Music | F♯ Minor | 5 | 11A | 98 BPM | ||
| Naru's Way | Sarah Schachner | A Minor | 4 | 8A | 99 BPM | ||
| Breaking the Cycle | Keith Merrill | A♭ Minor | 2 | 1A | 69 BPM | ||
| In Hindsight | Silver Maple | D Minor | 2 | 7A | 140 BPM | ||
| Echoes of the fallen star | David De Angelis | G Major | 5 | 9B | 100 BPM | ||
| Live to See Tomorrow | David Chappell | C Minor | 5 | 5A | 123 BPM | ||
| The Most Beautiful Thing I'll Never Have | Mustafa Avşaroğlu | F Major | 2 | 7B | 80 BPM |