Garage Fuzz's ' "House Rules" was released on its scheduled release date, 2005. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "The Morning Walk". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, House Rules's popularity is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With House Rules by Garage Fuzz having a BPM of 159 with a half-time of 80 BPM and a double-time of 318 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Option to Repression | Bullet Bane | C Major | 10 | 8B | 110 BPM | ||
| Better Than Crying | Farside | G Major | 10 | 9B | 100 BPM | ||
| Cair e Levantar | Cueio Limão | E Major | 9 | 12B | 112 BPM | ||
| Fim do Fim | Aditive | C Major | 10 | 8B | 112 BPM | ||
| Afasia | Dead Fish | B Minor | 10 | 10A | 130 BPM | ||
| Adeus Sofia | Dance of Days, Fernanda Takai | G Major | 10 | 9B | 196 BPM | ||
| Impropriety | Pridebowl | A Minor | 9 | 8A | 97 BPM | ||
| Return to Zero | Bodyjar | F Minor | 9 | 4A | 192 BPM | ||
| Spoons, Gats, Prison Tats | The Fullblast | G Major | 10 | 9B | 115 BPM | ||
| 5 Mentiras | Forgotten Boys | A♭ Major | 10 | 4B | 141 BPM | ||
| Burner | Much The Same | D♭ Minor | 10 | 12A | 105 BPM | ||
| Bem Estar II | Noção de Nada | E Major | 10 | 12B | 119 BPM | ||
| Velocidade | Sugar Kane | B Major | 10 | 1B | 120 BPM | ||
| Mário | Cueio Limão | F Major | 9 | 7B | 158 BPM | ||
| Infared | Strike Anywhere | A Major | 10 | 11B | 150 BPM | ||
| Fingers Crossed | Millencolin | D Major | 10 | 10B | 120 BPM | ||
| Quarto Escuro | Rancore | A♭ Major | 10 | 4B | 94 BPM | ||
| Bullion | Millencolin | D Major | 10 | 10B | 152 BPM | ||
| Excuse Me, Can I Use This Chair | Belvedere | E♭ Major | 10 | 5B | 121 BPM | ||
| Bicho Cabessunço | Houdini | G Major | 10 | 9B | 98 BPM | ||
| Ex-Underground | Fistt, Cueio Limão | D Major | 9 | 10B | 167 BPM | ||
| Devil Me | Millencolin | G Major | 9 | 9B | 92 BPM | ||
| Strangers Back Again | Mute | D♭ Minor | 10 | 12A | 198 BPM | ||
| Shift | Reffer | E♭ Minor | 9 | 2A | 113 BPM | ||
| The Treaty And The Bridge | Satanic Surfers | F Major | 10 | 7B | 110 BPM |