Anonymous, Anonymous 4, Darol Anger's ' "Wayfaring Stranger" was released on its scheduled release date, October 10, 2006. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Anonymous 4, Darol Anger, Mike Marshall's "Gloryland: Folk Songs, Spirituals, Gospel Hymns of Hope & Glory" album is number 3 out of 19. On top of that, United States appears to be the country where this track was created. Based on our statistics, Wayfaring Stranger's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Wayfaring Stranger by Anonymous, Anonymous 4, Darol Anger to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Advent Chant Rorate coeli | The Monks of Clear Creek | D Minor | 0 | 7A | 119 BPM | ||
| Messe Cum Jubilo, Op. 11: I. Kyrie eléison | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | D Minor | 1 | 7A | 120 BPM | ||
| Angelus ad pastores ait | Andrea Gabrieli, Il Pomo D'oro, Giuseppe Maletto | G Minor | 1 | 6A | 100 BPM | ||
| Our Lady of Sorrows | Mater Dei Seminary | B Major | 1 | 1B | 172 BPM | ||
| Maa on nii kaunis | Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | E♭ Major | 1 | 5B | 106 BPM | ||
| A New Year Carol | Benjamin Britten, Wellington College Chapel Choir, Simon Williamson, George de Voil | E♭ Major | 0 | 5B | 78 BPM | ||
| Dans la joie de Pâques : Alleluia Oportebat | Dom Le Feuvre, Congrégation de Solesme, Choeur des Bénédictins de l'Abbaye de Kergonan | E Major | 0 | 12B | 73 BPM | ||
| Gloria in Excelsis | Eikona, Choirs Of Annunciation Byzantine Catholic Church, Monastery Choir of St. John of San Francisco, Isauria | A♭ Minor | 2 | 1A | 102 BPM | ||
| Zaśnij Dziecino Kołysanka Dla Jezusa | Ad Maiorem | B Minor | 3 | 10A | 102 BPM | ||
| Orthodox Meditations from Mount Athos | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | F Major | 1 | 7B | 99 BPM | ||
| In monte Oliveti, IGM 4 | Giovanni Battista Martini, Pro Musica, Szabó Dénes | G Minor | 0 | 6A | 133 BPM | ||
| Midnight Mass: Alleluia: Dominus Dixit Ad Me (Mode VIII) | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes | B Minor | 2 | 10A | 78 BPM | ||
| Natus Es Parvulus (douce Nuit) | L'Accroche-Choeur, Ensemble Vocal Fribourg | D Major | 1 | 10B | 135 BPM | ||
| Cantus Vespertinus Novus | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | C Major | 0 | 8B | 132 BPM | ||
| Alma Redemptoris Mater - Antiphona (tonus monasticus) in Honorem Beatae Mariae Virginis | Anonymous, Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clevaux | D Major | 2 | 10B | 127 BPM | ||
| Before Action | Hilgrove Kenrick, Ǣfendrēama, Chloe May Evans | F Minor | 2 | 4A | 67 BPM | ||
| Antiphona Et Canticum: Zachaée, Modo VIII. Benedictus, Tono VIII | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | E Minor | 1 | 9A | 128 BPM | ||
| Ad Matutinum: Responsorium. Qui Deus Magnus | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
| Adoramus te, Christe | Théodore Dubois, Vienna Chamber Choir, Michael Grohotolsky | C Major | 0 | 8B | 102 BPM | ||
| Messiah, HWV 56, Part II: Aria: How beautiful are the feet of them (arr. for voice, violin and organ) | George Frideric Handel, Bible, Benjamin Isachsen, Magne H. Draagen, Berit Cardas | G Minor | 1 | 6A | 85 BPM | ||
| The Darkness Is No Darkness | Judith Bingham, Hannah Holgersson, Sofia Vokalensemble, Bengt Ollen | F Major | 1 | 7B | 85 BPM | ||
| Victimae paschali laudes - Sequentia Tempore Paschali | Anonymous, Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clevaux | E Minor | 1 | 9A | 131 BPM | ||
| Alleluia / Posui adiutorium | Pérotin, Musica Ficta, Bo Holten | G Minor | 1 | 6A | 133 BPM | ||
| O Radiant Dawn | James MacMillan, St Salvator's Chapel Choir, Tom Wilkinson | C Minor | 1 | 5A | 164 BPM | ||
| Quem vidistis pastores | Giovanni Bassano, Les Traversées Baroques, Etienne Meyer | C Major | 0 | 8B | 126 BPM |