"Taking The Controls" by Paul Leonard-Morgan had its release date on February 28, 2025. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Paul Leonard-Morgan's "Last Breath (Original Motion Picture Soundtrack)" album is number 14 out of 22. Taking The Controls is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Taking The Controls by Paul Leonard-Morgan to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chrysanthemum Complex | Cliff Martinez | C Minor | 3 | 5A | 105 BPM | ||
| Fireflies | Philip Glass, Paul Leonard-Morgan | D Major | 0 | 10B | 73 BPM | ||
| Running Out Of Time | Adam Peters | C Major | 2 | 8B | 191 BPM | ||
| Dr. Koller | Sascha Dikiciyan | D♭ Major | 5 | 3B | 160 BPM | ||
| Serk | Jed Palmer | B♭ Minor | 8 | 3A | 100 BPM | ||
| I'm a Netrunner | P.T. Adamczyk | G Major | 4 | 9B | 140 BPM | ||
| Five Senses | Sarah Schachner | D Major | 1 | 10B | 69 BPM | ||
| A Quiet Family | Marco Beltrami | G Major | 1 | 9B | 61 BPM | ||
| I Put All That Away | Max Richter | D Minor | 0 | 7A | 184 BPM | ||
| Tunnel Exit | Rupert Gregson-Williams | D Major | 1 | 10B | 80 BPM | ||
| The Final Battlefield | Paul Leonard-Morgan | D Major | 0 | 10B | 119 BPM | ||
| The Magic Pill | Paul Leonard-Morgan | C Major | 4 | 8B | 105 BPM | ||
| Safehouse | Sascha Dikiciyan | F Major | 2 | 7B | 74 BPM | ||
| A Long Way Back | Jon Ekstrand | D♭ Major | 3 | 3B | 104 BPM | ||
| Lucy Is Going Out, Pt. 1 | Éric Serra | B♭ Major | 1 | 6B | 110 BPM | ||
| The Heist | P.T. Adamczyk | D♭ Major | 9 | 3B | 178 BPM | ||
| Alive | Theodore Shapiro | D♭ Major | 3 | 3B | 136 BPM | ||
| Rite Of Passage | P.T. Adamczyk | D Major | 4 | 10B | 81 BPM | ||
| Urban Downunder | Marcin Przybyłowicz | A Major | 3 | 11B | 67 BPM | ||
| V | Marcin Przybyłowicz | F Major | 8 | 7B | 90 BPM | ||
| The Beast Is On the Move | West Dylan Thordson | F♯ Major | 1 | 2B | 69 BPM | ||
| Just Another Weapon | P.T. Adamczyk | A Minor | 1 | 8A | 120 BPM | ||
| Tetrachord - Rex | Nicholas Britell | F Major | 1 | 7B | 105 BPM | ||
| Always Here for You | Philip Glass, Paul Leonard-Morgan | D Major | 0 | 10B | 74 BPM | ||
| Mare Tranquillitatis | Acoustic Labs | F Major | 4 | 7B | 128 BPM |