On December 22, 2025, the song "Rajai Me Sutal Devru" was released by Samar Singh. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since Rajai Me Sutal Devru only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. Based on our statistics, Rajai Me Sutal Devru's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Rajai Me Sutal Devru by Samar Singh having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chamran King | Vikash Rao | B Minor | 6 | 10A | 97 BPM | ||
| Thora Intajar Kala Khada Hokata | Bullet Raja, Suman Raj | D♭ Major | 10 | 3B | 145 BPM | ||
| Aapan Haaran Mehri Ke Maaral - From "Sorry Yaar" | Arvind Akela Kallu, Chote Baba, ARVIND TIWARI | D♭ Major | 9 | 3B | 123 BPM | ||
| Dalwawa Ta Sahi | Ranjeet Singh | G Major | 9 | 9B | 148 BPM | ||
| Aise Jobna Dekhaibu Ta Ka Hoi | Pradeshi Piya Yadav | E♭ Major | 10 | 5B | 150 BPM | ||
| Bade Pakrail Aaju Chadhbe Karam | Vishwash Rangila | F♯ Minor | 10 | 11A | 120 BPM | ||
| Kehu Kuch Na Bigari | Chhotu Shikari | G Major | 8 | 9B | 110 BPM | ||
| Nainital | Shivam Kushwaha, Gunjan Singh | G Major | 9 | 9B | 148 BPM | ||
| Devra Dulruaa Dekhawe Hathiyar Ho | Pradeshi Piya Yadav, Ritesh Lal Yadav | D♭ Minor | 10 | 12A | 156 BPM | ||
| Boliye Dawai Ba (DJ Remix) | Rakesh Mishra | B Minor | 10 | 10A | 110 BPM | ||
| Kono Maugoi Se Pet Jo Na Re | Banshidhar Chaudhari, Suman Sona | G Major | 9 | 9B | 130 BPM | ||
| Sasura Jake Sutabhi Piya Ke Korwa Me | Ahira Star Kundan Lal | E Minor | 10 | 9A | 88 BPM | ||
| Mare Bhatar Payal Utar Ke | Awadhesh Premi Yadav | F Minor | 10 | 4A | 156 BPM | ||
| Beur Jail | Gunjan Singh | C Major | 8 | 8B | 117 BPM | ||
| Tor Duni La Nunu Mor Kan Hau | Ahira Star Kundan Lal | F Major | 10 | 7B | 87 BPM | ||
| Vidai Me Video | Sonu Rajbhar, Archana Rai | F♯ Minor | 9 | 11A | 128 BPM | ||
| Raja Lahe Lahe Mara Tani Chot | Pradeshi Piya Yadav, Sanjana Saxena | A Major | 10 | 11B | 140 BPM | ||
| Dene Wali Koi Nahi | Ahira Star Kundan Lal | G Minor | 10 | 6A | 140 BPM | ||
| Mal Hate Chhena Tani Dena Re | Lucky Raja, Neha Raj | D Major | 10 | 10B | 150 BPM | ||
| Uyi Aama Holi | Samar Singh, Savita Yadav | B Minor | 10 | 10A | 120 BPM | ||
| U Babuaan Ha | Dharamveer Singh | F Minor | 10 | 4A | 126 BPM | ||
| Laika chamran ke hai | Vikash Rao | C Major | 10 | 8B | 130 BPM | ||
| Piyawa Batela Kamai Patidaar Ke ( From "Rabba Ishq Na Hove" ) | Arvind Akela Kallu Ji, Sumit Singh Chandravanshi, Avinash Jha Ghungroo | G Major | 9 | 9B | 148 BPM | ||
| Jaha Eke Sanghe Duno Bhai Khad Ho Jala | Rdx Editor, Ankita Singh | C Minor | 10 | 5A | 135 BPM | ||
| Mafia Banake Chhodbe | Dharamveer Singh, Savita Yadav | G Minor | 10 | 6A | 130 BPM |