On 2016, the song "Tita" was released by Julio Ramírez, Horacio Castillo. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Tita's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Horacio Castillo, Julio Ramírez's "La Música del Río" album is number 4 out of 10. On top of that, Argentina appears to be the country where this track was created. Based on our statistics, Tita's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Tita by Julio Ramírez, Horacio Castillo to be Allegro (fast, quick, and bright) because the track has a tempo of 146 BPM, a half-time of 73BPM, and a double-time of 292 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lo Que Sos Mi Chamamé | David Diaz Marchetto | D Major | 4 | 10B | 95 BPM | ||
| Mi canto agradecido | Ivoti | C Minor | 7 | 5A | 136 BPM | ||
| La Callejera | Sixto Palavecino | E Minor | 6 | 9A | 128 BPM | ||
| Mate Amargo | Rafael Rossi | D Minor | 3 | 7A | 96 BPM | ||
| Serenata En La Ciudad | Mario Bofill | A Major | 4 | 11B | 119 BPM | ||
| El Eco de Condorcanqui (Bailecito) | María y Cosecha | F Major | 4 | 7B | 150 BPM | ||
| Chacarera del Expendiente | Dúo Salteño | F Minor | 2 | 4A | 131 BPM | ||
| Amor mezquino | Palma Sandoval Dúo, Francisco "Panchito" Cantos | B Major | 3 | 1B | 148 BPM | ||
| Compinchada | Romerito, Luis Landriscina, Doña Jovita | C Major | 5 | 8B | 83 BPM | ||
| El Alfarero | Los Lucero de Jáchal, Nicolas Olivieri | D Minor | 3 | 7A | 147 BPM | ||
| Y no cante para ti | Marcelo Miraglia | B♭ Major | 6 | 6B | 145 BPM | ||
| Entre amigos | Marcelo Miraglia | F Minor | 4 | 4A | 99 BPM | ||
| En Jaque | Lucas Aguirre | F Minor | 3 | 4A | 120 BPM | ||
| Chaya de los Pobres | Ramón Navarro, Roberto Palmer, Huerque Mapu, Ramón Navarro (h) | G Major | 3 | 9B | 105 BPM | ||
| Poncho Castaño | Alberto Merlo | F♯ Minor | 0 | 11A | 109 BPM | ||
| Para La Entrerrianada | Carlos Talavera con el Cuarteto Santa Ana, Ernesto Montiel | G Major | 5 | 9B | 135 BPM | ||
| La Flor Ausente (Cueca Cuyana) | Lucas Caceres | A Major | 6 | 11B | 171 BPM | ||
| El Javali | Saul Huenchul | B Minor | 2 | 10A | 88 BPM | ||
| Amor salvaje | Ramiro Maza | D Minor | 3 | 7A | 147 BPM | ||
| Ramona Mburrucuyá | Trébol De Ases | C Major | 5 | 8B | 126 BPM | ||
| Quien Fuera Rayo de Sol | Las Voces del Plumerillo | G Major | 5 | 9B | 96 BPM | ||
| El aplanador (Escondido) | La Máquina de hacer Chacareras | G Major | 5 | 9B | 124 BPM | ||
| Pasajeros de la vida | Carlos Infante | F♯ Minor | 5 | 11A | 80 BPM | ||
| Noches Correntinas | Manuel Cruz y Su Cuarteto Estampa Correntina | E♭ Minor | 8 | 2A | 178 BPM | ||
| Avío del Alma | Los De Imagüaré, Miguel Ángel Sheridan, Julio Cáceres | E Major | 1 | 12B | 109 BPM |