On March 5, 2007, the song "Laverton" was released by Adrian Johnston. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 9 out of 23 in Becoming Jane by Original Soundtrack. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Laverton is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Laverton by Adrian Johnston is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fairground | Joby Talbot | D♭ Minor | 2 | 12A | 94 BPM | ||
| Miss Grey - Instrumental | Patrick Doyle, Robert Ziegler, Tony Hymas | G Major | 3 | 9B | 115 BPM | ||
| The World Has Left Us Behind | Samuel Sim | G Major | 0 | 9B | 66 BPM | ||
| Keep Your Wig On | James Shearman, Nick Ingman | E♭ Major | 2 | 5B | 148 BPM | ||
| Children Arrive at the Paradise | Mario Malagnini | F Major | 1 | 7B | 108 BPM | ||
| The Half Killed | Dario Marianelli, Jean-Yves Thibaudet | B♭ Minor | 3 | 3A | 79 BPM | ||
| Smoke n'oakum | Iva Davies, Richard Tognetti, Christopher Gordon | F Major | 1 | 7B | 66 BPM | ||
| Eustace on Deck | David Arnold | F Minor | 0 | 4A | 137 BPM | ||
| Whitewater | Alasdair Fraser, Natalie Haas | C Major | 3 | 8B | 122 BPM | ||
| Drawing Pooh | Carter Burwell | A Minor | 2 | 8A | 93 BPM | ||
| Lucille's Theme | Maurizio Malagnini | E Major | 1 | 12B | 132 BPM | ||
| The Burning Bridge | Henry Jackman, Gavin Greenaway, Tyler Bryant, Alex Belcher, Vicci Wardman, Caroline Dale, Chris Laurence, Richard Watkins, Richard Edwards, Owen Slade, Hugh Webb, Elyse Marchant, Junkie XL | E Minor | 8 | 9A | 124 BPM | ||
| Arrival at Thornfield Hall (feat. Jack Liebeck) | Dario Marianelli, Jack Liebeck, Benjamin Wallfisch | E Minor | 1 | 9A | 80 BPM | ||
| Jane Fairfax Plays Mozart Sonata in F | Amber Anderson | E Major | 2 | 12B | 83 BPM | ||
| Cross Bow | Randy Edelman | F Major | 5 | 7B | 115 BPM | ||
| Power Comes from Truth | Henry Jackman | B♭ Minor | 2 | 3A | 68 BPM | ||
| The Parapets | Steven Price | F Minor | 1 | 4A | 116 BPM | ||
| Arthur and the Madness of Love | Rohan Stevenson | B♭ Minor | 2 | 3A | 109 BPM | ||
| Travel To Edinburgh | Tom Tykwer, Johnny Klimek, Reinhold Heil | G Minor | 3 | 6A | 180 BPM | ||
| The Homecoming | George Fenton | C Major | 1 | 8B | 107 BPM | ||
| Forging Silver | Henry Jackman | E♭ Minor | 6 | 2A | 146 BPM | ||
| The Clam Shell Challenge | Steven Price | D Major | 3 | 10B | 131 BPM | ||
| Sabine | Peter Gregson | C Minor | 0 | 5A | 90 BPM | ||
| John Ronald | Thomas Newman | C Major | 1 | 8B | 120 BPM | ||
| Frank Churchill Arrives (From "Emma" 1996 Film) | An Eligible Quartet | G Major | 1 | 9B | 120 BPM |