"Welcome" by Hannah Parrott had its release date on October 27, 2023. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 22 out of 28 in After Death (Original Motion Picture Soundtrack) by Hannah Parrott. In terms of popularity, Welcome is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Welcome by Hannah Parrott is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Escape | Hampus Naeselius | D♭ Major | 5 | 3B | 160 BPM | ||
| Still Searching | TURPAK | E Minor | 4 | 9A | 180 BPM | ||
| New World | Hampus Naeselius | G Major | 6 | 9B | 165 BPM | ||
| Katherine and Jan | Philip Klein | E♭ Major | 1 | 5B | 136 BPM | ||
| Golden Pastures - 2025 Remaster | Daniel Ciurlizza | B Minor | 3 | 10A | 98 BPM | ||
| Forbidden Romance | Audiomachine | B♭ Minor | 4 | 3A | 90 BPM | ||
| Craving The Cold | Kevin Smuts | G Major | 0 | 9B | 67 BPM | ||
| Taken | ABBOTT | D♭ Minor | 1 | 12A | 88 BPM | ||
| Window of Opportunity | Mychael Danna, Harry Gregson-Williams | A♭ Minor | 6 | 1A | 125 BPM | ||
| Chasing the Wind | James Everingham | F♯ Major | 3 | 2B | 104 BPM | ||
| Dark Skies | Kevin Matley | E Minor | 5 | 9A | 160 BPM | ||
| Coriolis Effect | Kyle Preston | A Minor | 5 | 8A | 128 BPM | ||
| La Exclusividad | Formas Correctas | G Major | 2 | 9B | 57 BPM | ||
| Hombre Por Hombre | Hasta El Final | F♯ Minor | 0 | 11A | 110 BPM | ||
| Sea of Skulls | Atli Örvarsson | D Major | 2 | 10B | 69 BPM | ||
| Wandermere | Kevin Graham | C Major | 2 | 8B | 80 BPM | ||
| Before the Dawn | Judah Earl | E♭ Minor | 2 | 2A | 75 BPM | ||
| James Runs | Johan Söderqvist | B Minor | 3 | 10A | 79 BPM | ||
| Omega Region | Bleeding Fingers, James Everingham | F Major | 2 | 7B | 120 BPM | ||
| It's Becoming Clear | Howard Harper-Barnes | A♭ Major | 1 | 4B | 82 BPM | ||
| Gravitational Pull | Anže Rozman, Andrew Christie | D Minor | 3 | 7A | 70 BPM | ||
| Looking to the Future | Hanan Townshend | B♭ Minor | 4 | 3A | 90 BPM | ||
| Leaving Everything | Thomas James White | C Major | 2 | 8B | 132 BPM | ||
| Blended | Eldar Dadashov, Edmelody | B Minor | 2 | 10A | 74 BPM | ||
| The Ascension | Hampus Naeselius | C Major | 4 | 8B | 94 BPM |