Various World Reknowed Orchestras And Conductors's 'Coppelia Ballet Suite' had a release date set for January 1, 2006. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Coppelia Ballet Suite's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 111 in A Treasury of Golden Classics by Various World Reknowed Orchestras And Conductors. In terms of popularity, Coppelia Ballet Suite is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Coppelia Ballet Suite by Various World Reknowed Orchestras And Conductors is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Les patineurs (Arr. C. Lambert): Pas de deux. Cantabile | Giacomo Meyerbeer, Cincinnati Pops Orchestra, Erich Kunzel | C Major | 0 | 8B | 81 BPM | ||
| Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
| Minkus / Arr. Lanchbery: Don Quixote: No. 12, Variation. Dryad's Mistresses - Remembrance of the Ball | Ludwig Minkus, John Lanchbery, Elizabethan Trust Melbourne Orchestra | G Major | 0 | 9B | 89 BPM | ||
| La Sylphide: Act II: Sylph Scene: Divertissement | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | D Major | 0 | 10B | 78 BPM | ||
| Etudes: XIV. Broad leaps | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | A Major | 4 | 11B | 143 BPM | ||
| Swan Lake | Various World Reknowed Orchestras And Conductors | F Minor | 3 | 4A | 81 BPM | ||
| Snow White: XIV. Prince’s Cavalcade | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Nikolay Donskoy | G Major | 2 | 9B | 78 BPM | ||
| The Gold and Silver Waltz | The Manhattan Pops | C Major | 3 | 8B | 95 BPM | ||
| The Approach | Magic Philharmonic Orchestra | F Major | 0 | 7B | 89 BPM | ||
| Tom’s Midnight Garden Suite | Dirk Brossé, Brussels Philharmonic, Debbie Wiseman | C Minor | 1 | 5A | 95 BPM | ||
| Cinderella, Op. 87: Act I: No. 1. Introduction: Andante dolce | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Symphony Orchestra | D♭ Major | 1 | 3B | 114 BPM | ||
| La Bayadere, Act I, Scene 2: 14. "Ankle Scarf Dance and Coda" | Evergreen Symphony Orchestra, Kevin Galiè | A Major | 1 | 11B | 101 BPM | ||
| La Fille Mal Gardée | Ferdinand Hérold, John Lanchberry, Orchestra of the Royal Opera House & Covent Garden | D Major | 1 | 10B | 91 BPM | ||
| A Un Mundo | Casualidades Del Destino | E Minor | 3 | 9A | 178 BPM | ||
| Grieg: Suite from Peer Gynt No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Desire-Emile Inghelbrecht, Orchestre National Radiodiffusion Française | E Minor | 1 | 9A | 114 BPM | ||
| Don Quixote: Act II: Gypsy Dance I | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | E Major | 1 | 12B | 141 BPM | ||
| Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
| Symphony No. 5: Allegro vivace | American Symphony Orchestra, Leon Botstein | B♭ Major | 1 | 6B | 184 BPM | ||
| Die Fledermaus | Rundfunkorchester des Südwestfunks Baden-Baden | D Major | 1 | 10B | 130 BPM | ||
| Hérold & Lanchbery: La fille mal gardée, Act 2: No. 29, Pas de deux | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | G Major | 1 | 9B | 88 BPM | ||
| Carmen Suite No. 1: III. Intermezzo, Interlude before Act III | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | D Major | 1 | 10B | 134 BPM | ||
| Cannibalize The Future | Danke Timi Briggs | B♭ Major | 3 | 6B | 80 BPM | ||
| My Own Lover | Ria Mbanefo | B♭ Major | 3 | 6B | 83 BPM | ||
| Gold und Silber, Op. 79: Gold und Silber (Gold and Silver), Op. 79: Waltz | Franz Lehár, Budapest Symphony Orchestra, Géza Oberfrank | F Major | 0 | 7B | 81 BPM | ||
| Symphony No. 9 in E Minor, From The New World: Symphony No. 9 "New World Symphony": III. Scherzo - Molto vivace | Antonín Dvořák, Budapest Philharmonic Orchestra, Rico Saccani | C Major | 1 | 8B | 132 BPM |