Rakesh Barot, Rajdeep Barot, Dipalee Somaiya Date, Kavita Das, NA's ' "Kem Re Bhulay Sajan Tari Preet - Original" was released on its scheduled release date, July 13, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rakesh Barot, Tejal Thakor, NA's "Kem Re Bhulay Sajan Tari Preet (Original)" album is number 4 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Kem Re Bhulay Sajan Tari Preet - Original is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kem Re Bhulay Sajan Tari Preet - Original by Rakesh Barot, Rajdeep Barot, Dipalee Somaiya Date, Kavita Das, NA to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sattalo Sattalo Nanna Paligi Sattalo | Music Mailari | B♭ Major | 10 | 6B | 120 BPM | ||
| Manu Chhu Tamne Mari Kismat | Shital Thakor | F Minor | 9 | 4A | 113 BPM | ||
| Madi tara ucha mandir nicha mol | Rushabh Ahir, Santvani Trivedi | D♭ Major | 7 | 3B | 156 BPM | ||
| Pendaliyu | Rakesh Barot | D Minor | 9 | 7A | 108 BPM | ||
| Shree Nath Ji Karu Prathna (feat. Deepali Somaiya) | Paras Borkhatria, Dipalee Somaiya Date | F Major | 4 | 7B | 150 BPM | ||
| Ishwar Tu Pan Chhe Vignani | Birju Barot | A Major | 9 | 11B | 106 BPM | ||
| Moraliyo | Kanu Patel | B♭ Minor | 5 | 3A | 61 BPM | ||
| Vromor Koiyo Giya | Ferdousi Rahman | C Minor | 6 | 5A | 101 BPM | ||
| Lagan Geet 2023 Part 2 | Motibhai Bharvad | F Minor | 8 | 4A | 95 BPM | ||
| Hanuman Ashtak | Manoj Mishra, Railhan Studios, Dinesh Railhan | F Major | 8 | 7B | 88 BPM | ||
| Brahmani Maa Ni Aarti - Original | Nitin Barot, Kajal Maheriya | E♭ Minor | 6 | 2A | 82 BPM | ||
| Rutuk Rutuk Naio | Bibha Debbarma, Biswamani Debbarma | B Minor | 8 | 10A | 100 BPM | ||
| Mehndi | Dipalee Somaiya Date, Debi Maksoospuri | F Minor | 7 | 4A | 83 BPM | ||
| Aevi Rudine Rupali | Kanu Patel | D Major | 7 | 10B | 127 BPM | ||
| Phool Gajaro Re Maro Hir Gajaro - Original | Rakesh Barot, NA | F♯ Minor | 8 | 11A | 99 BPM | ||
| Mara Shyam | Birju Barot, Alpa Patel | F Major | 9 | 7B | 98 BPM | ||
| Sayba | Tejal Thakor | D♭ Minor | 9 | 12A | 85 BPM | ||
| Radhe Radhe Govinda Radhe Radhe Govinda | Jagadguru Shri Kripalu Ji Maharaj | D♭ Minor | 8 | 12A | 154 BPM | ||
| Mane Parani Ne Lai Ja Tara Malak Ma | Kaushik Bharwad, Tejal Thakor | A♭ Major | 10 | 4B | 170 BPM | ||
| Garbe Ghumata Re | Aditya Gadhvi, Kirtidan Gadhvi, Nisha Barot, Dev Bhatt | B Minor | 8 | 10A | 142 BPM | ||
| Aakhi Raat Radeli Aankh | Kishan Raval | B Minor | 7 | 10A | 112 BPM | ||
| Natraj Stuti | Madhvi Madhukar | A♭ Minor | 6 | 1A | 134 BPM | ||
| Shri Krishna Na Charnarvind | Dipalee Somaiya Date | D Major | 6 | 10B | 100 BPM | ||
| Ei Jonme Amra Achi - Female Version | Bappi Lahiri, Lata Mangeshkar | C Minor | 8 | 5A | 86 BPM | ||
| Madalni Jodi Chamocham | Jashvant Rathva | C Major | 6 | 8B | 186 BPM |