Guy Farley's 'Sharon' had a release date set for 2008. With This song being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 13 in Cashback (Original Soundtrack Recording) by Guy Farley, Jeni Bern. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Sharon is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sharon by Guy Farley is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Raindrops | Panu Aaltio | F Major | 1 | 7B | 79 BPM | ||
| I'll Always Go Back To That Church | Academy of St. Martin in the Fields, Gabriel Yared | D Major | 2 | 10B | 133 BPM | ||
| Jamie Leaves Aurelia - Extended Version | Craig Armstrong, Budapest Art Orchestra, Peter Pejtsik, Steve Jones, Katalin Sarkady | C Major | 2 | 8B | 111 BPM | ||
| Manuelas Love Theme | Paolo Vivaldi | D Major | 2 | 10B | 106 BPM | ||
| We Can Try | Theodore Shapiro | C Major | 0 | 8B | 84 BPM | ||
| Trunk Greeting | Alex Heffes | E♭ Major | 0 | 5B | 51 BPM | ||
| The Murder at the Vicarage - Lust, Sin, Death | Dominik Scherrer | B Major | 2 | 1B | 140 BPM | ||
| Lumikuningatar: No. 19. Kehtolaulu | Tuomas Kantelinen, Finnish National Opera Orchestra | G Minor | 2 | 6A | 80 BPM | ||
| Jaquard | Giuliano Taviani, Carmelo Travia | A Minor | 2 | 8A | 51 BPM | ||
| "I Have Danced With A King" | George Fenton | A Major | 1 | 11B | 77 BPM | ||
| Hungry Hearts | Nicola Piovani | G Major | 1 | 9B | 79 BPM | ||
| Amber And Gold | Julie Cooper | C Minor | 1 | 5A | 140 BPM | ||
| Garden of Innocence | Pino Donaggio | D Major | 2 | 10B | 56 BPM | ||
| Brideshead Revisited: No. 24, Always Summer | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | B♭ Major | 1 | 6B | 78 BPM | ||
| Fernanda Wittgens - Versione Violino | Paolo Vivaldi | G Minor | 2 | 6A | 97 BPM | ||
| Little Blue (String Orchestra) | Steve Hackman | C Minor | 0 | 5A | 79 BPM | ||
| I am not done loving you | Federico Jusid | A Minor | 6 | 8A | 61 BPM | ||
| A Last Reading | Adrian Johnston | F Major | 0 | 7B | 77 BPM | ||
| On The Bench - Extended Version | Craig Armstrong, Budapest Art Orchestra, Peter Pejtsik, Steve Jones, Katalin Sarkady | C Major | 4 | 8B | 67 BPM | ||
| Jeanne's Death | Guy Farley | G Minor | 2 | 6A | 79 BPM | ||
| Complejo De Inferioridad | Las Guerreras | E Major | 1 | 12B | 77 BPM | ||
| On Golden Pond - Main Theme | Dave Grusin | G Major | 1 | 9B | 79 BPM | ||
| Una luce nell'anima | Andrea Guerra | E Minor | 0 | 9A | 109 BPM | ||
| Elizabeth's Dance | Guy Farley | F Major | 2 | 7B | 97 BPM | ||
| Opening | Craig Armstrong | D Minor | 2 | 7A | 91 BPM |