Lata Mangeshkar's ' "Ya Rehmat-E-Alam" was released on its scheduled release date, February 7, 1982. This song is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The song is number 6 out of 6 in Adat Se Majboor (Original Motion Picture Soundtrack) by Usha Khanna, Kamal Joshi. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Ya Rehmat-E-Alam's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Ya Rehmat-E-Alam by Lata Mangeshkar is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ek Do Teen Char | Amit Kumar | E♭ Minor | 8 | 2A | 65 BPM | ||
| Hum Tere Shahar Me Aaye Hai | Ghulam Ali | B♭ Minor | 6 | 3A | 109 BPM | ||
| Huzur Is Kadar | Bhupinder Singh, Suresh Wadkar, R. D. Burman | G Minor | 6 | 6A | 120 BPM | ||
| Dulhe Ka Sehra - Male Version | Nusrat Fateh Ali Khan | A♭ Major | 6 | 4B | 97 BPM | ||
| Hum The Jinke Sahare | Lata Mangeshkar, Kalyanji-Anandji | E♭ Major | 3 | 5B | 94 BPM | ||
| Aye Malik Tere Bandhe Hum | Chorus, Lata Mangeshkar | D Minor | 6 | 7A | 168 BPM | ||
| Har Dil Jo Pyar Karega (From "Sangam") | Lata Mangeshkar, Mukesh, Mahendra Kapoor, Shailendra, Shankar Jaikishan | B♭ Minor | 4 | 3A | 97 BPM | ||
| Jaisi Karni Waisi Bharni (From "Jaisi Karni Waisi Bharni") | Nitin Mukesh | F Minor | 7 | 4A | 158 BPM | ||
| Meri Sanson Mein | Udit Narayan, Javed Akhtar | C Major | 4 | 8B | 82 BPM | ||
| Yeh Hai Bombay Meri Jaan (Aye Dil Hai Mushkil Jeena Yahan) | O. P. Nayyar, Majrooh Sultanpuri | F Major | 4 | 7B | 159 BPM | ||
| Bholi Si Surat | Uttam Singh, Lata Mangeshkar, Udit Narayan, Anand Bakshi | F Major | 7 | 7B | 87 BPM | ||
| Dialogues And Na Koi Umang Hai And Dialogues | Asha Parekh, Lata Mangeshkar, R. D. Burman | E♭ Minor | 7 | 2A | 158 BPM | ||
| Log Barso Judaa Hoke Duet | Pankaj Udhas, Sadhana Sargam | C Major | 7 | 8B | 139 BPM | ||
| Jayen to Jayen Kahan (From "Taxi Driver") | Talat Mahmood, S. D. Burman | A♭ Major | 3 | 4B | 74 BPM | ||
| Aa Jaane Jaan (From "Intaqam") | Tabassum, Lata Mangeshkar | A Minor | 5 | 8A | 121 BPM | ||
| Chalo Dildar Chalo | Mohammed Rafi, Lata Mangeshkar | E Major | 5 | 12B | 139 BPM | ||
| Tujhe Dekh Kar Jagwale | K. J. Yesudas | B Major | 4 | 1B | 125 BPM | ||
| Aaja Piya Tohe Pyar Doon (From "Baharon Ke Sapne") | Lata Mangeshkar | G Major | 3 | 9B | 110 BPM | ||
| Wada Karo - From "Aa Gale Lag Jaa" | Kishore Kumar, Lata Mangeshkar | G Minor | 7 | 6A | 87 BPM | ||
| Jeena Nahi | Amit Kumar, Anuradha Paudwal | B♭ Minor | 6 | 3A | 103 BPM | ||
| Dil To Hai Dil | Lata Mangeshkar, Kalyanji-Anandji | F Major | 6 | 7B | 111 BPM | ||
| Ka Karoon Sajani Aaye Na Balam | K. J. Yesudas | G Minor | 4 | 6A | 112 BPM | ||
| Ghar Aaja Pardesi | Pamela Chopra, Manpreet Kaur | C Minor | 6 | 5A | 90 BPM | ||
| Yeh Hawa Yeh Raat Yeh Chandni | Talat Mahmood | D♭ Major | 4 | 3B | 76 BPM | ||
| Dil Ka Qaraar | Shraddha Pandit, Sonu Nigam | B Major | 5 | 1B | 146 BPM |