Magic Dick, Jay Geils's ' "Hot Leftover No. 3" was released on its scheduled release date, July 16, 1996. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Magic Dick, Jay Geils's "Little Car Blues" album is number 12 out of 15. In terms of popularity, Hot Leftover No. 3 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Hot Leftover No. 3 by Magic Dick, Jay Geils to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ain't That Just Like a Woman | Billy Boy Arnold | D♭ Minor | 7 | 12A | 78 BPM | ||
| Poor Man's Song | Lil Ed & The Blues Imperials | B Minor | 7 | 10A | 95 BPM | ||
| Maudie | Doyle Bramhall | F♯ Minor | 6 | 11A | 119 BPM | ||
| Cool Blues Walk | Eddy Clearwater | B Minor | 9 | 10A | 108 BPM | ||
| Fog On Garrison Lane | Shelby Street Blues | D Major | 7 | 10B | 144 BPM | ||
| Goin' Back Out On The Road | Bob Margolin | D Major | 8 | 10B | 108 BPM | ||
| Eyesight to the Blind | Steve Bailey & The Blue Flames | D Major | 7 | 10B | 110 BPM | ||
| This Little Voice | Byther Smith | D♭ Minor | 7 | 12A | 119 BPM | ||
| No Sense | Nick Moss Band, Dennis Gruenling | E Major | 7 | 12B | 96 BPM | ||
| No more | scoth | D Major | 7 | 10B | 144 BPM | ||
| Keep A-Driving | John Primer, Bob Corritore | A Major | 9 | 11B | 120 BPM | ||
| Mojo Hand | A.C. Reed, Maurice John Vaughn | G Major | 4 | 9B | 110 BPM | ||
| I Count the Days You're Gone | Joe Beard, Ronnie Earl, The Broadcasters | D Major | 6 | 10B | 114 BPM | ||
| Holler & Stomp | The Cash Box Kings | D Minor | 6 | 7A | 93 BPM | ||
| Fast Food Annie | A.C. Reed | G Major | 9 | 9B | 190 BPM | ||
| Two Steps Forward | Tommy Castro, The Painkillers, The Holmes Brothers, Magic Dick | B Minor | 9 | 10A | 142 BPM | ||
| I'm in the Mood | Doyle Bramhall | A Major | 4 | 11B | 119 BPM | ||
| Too Far from the Bar | Sugar Ray & The Bluetones, Little Charlie Baty | C Major | 8 | 8B | 94 BPM | ||
| Trust Yourself | Bonny B., Deak Harp, Ice B. | B♭ Major | 4 | 6B | 73 BPM | ||
| Moving South | Bob Margolin | B Minor | 9 | 10A | 125 BPM | ||
| Tequila Quicksand | Mark Hodgson | A Major | 9 | 11B | 140 BPM | ||
| Whiskey Flavored Tears | Lil Ed & The Blues Imperials | D Major | 8 | 10B | 112 BPM | ||
| Cry, Cry Darling | Johnny "Big Moose" Walker | G Major | 5 | 9B | 111 BPM | ||
| Going Back To Louisiana | Clarence "Gatemouth" Brown | F Minor | 8 | 4A | 124 BPM | ||
| Glamour Girl | Duke Robillard | C Major | 4 | 8B | 182 BPM |