Lars Hegaard, Jesper Sivebæk, Alba String Quartet's 'Octagonal Room: VII. Quarter Note = 66' had a release date set for March 19, 2021. With This song being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "Octagonal Room". In this album, this song's track order is #23. Furthermore, we believe that the track originated from Denmark. In terms of popularity, Octagonal Room: VII. Quarter Note = 66 is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Octagonal Room: VII. Quarter Note = 66 by Lars Hegaard, Jesper Sivebæk, Alba String Quartet having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Breathturn, Pt. 1 | John Zorn, Mika Stoltzman, Richard Stoltzman, Fred Sherry | A Major | 2 | 11B | 75 BPM | ||
| Concierto de Aranjuez for Guitar and Orchestra: 3. Allegro gentile | Joaquín Rodrigo, Pepe Romero, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 156 BPM | ||
| 6 Pièces pour harpe à pédales: II. Scherzetto. Allegro moderato | Jacques Ibert, Lavinia Meijer | E Major | 1 | 12B | 60 BPM | ||
| Suite, Op. 157b: II. Divertissement | Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes | F♯ Major | 0 | 2B | 82 BPM | ||
| Sospiri, Op. 70 | Sol Gabetta | F Major | 0 | 7B | 74 BPM | ||
| Variations on a Rococo Theme, Op. 33, TH 57: Cadenza | Pyotr Ilyich Tchaikovsky, Mischa Maisky, Orpheus Chamber Orchestra | E♭ Major | 1 | 5B | 128 BPM | ||
| Pedro | Aleksander Debicz, Łukasz Kuropaczewski | A Minor | 2 | 8A | 90 BPM | ||
| Tilliboyo ("Sunset") | Foday Musa Suso, Kronos Quartet | B♭ Minor | 0 | 3A | 183 BPM | ||
| Umi e (Toward the Sea): I - The Night | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | F♯ Major | 0 | 2B | 71 BPM | ||
| Sonata in G Minor for Violin & Piano, L. 140: 3. Finale (Très animé) | Claude Debussy, Itzhak Perlman, Vladimir Ashkenazy | E Minor | 2 | 9A | 91 BPM | ||
| Messiaen: Le Merle noir | Olivier Messiaen, Emmanuel Pahud, Eric Le Sage | D♭ Major | 0 | 3B | 93 BPM | ||
| Nearer My God to Thee (From "Titanic" Soundtrack) | James Horner, Eileen Ivers | D Major | 0 | 10B | 90 BPM | ||
| Romance for Cello and Piano | Frederick Delius, Yo-Yo Ma, Kathryn Stott | B Major | 0 | 1B | 66 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | A Major | 2 | 11B | 75 BPM | ||
| From Jewish Life: I. Prayer (Arr. for Cello & Orchestra) | Ernest Bloch, Harriet Krijgh, Gustavo Gimeno, Deutsche Staatsphilharmonie Rheinland-Pfalz | F Minor | 1 | 4A | 91 BPM | ||
| Poulenc: Clarinet Sonata, FP 184: I. Allegro tristamente | Francis Poulenc, Sabine Meyer | A Minor | 0 | 8A | 74 BPM | ||
| Violin Sonata No. 3, Op. 25: I. Moderato malinconico | George Enescu, Sarah Nemtanu, Chilly Gonzales, Romain Deschamps | E Minor | 1 | 9A | 75 BPM | ||
| Nostalgia Song | Eleni Karaindrou, Maria Bildea, Sergiu Nastasa, Renato Ripo, Vangelis Christopoulos, Spyros Kazianis, Antonis Lagos, Dinos Hadjiiordanou, Camerata, Friends Of Music Orchestra | D Minor | 0 | 7A | 69 BPM | ||
| Trois Pièces pour Violoncelle et Piano: No. 1 Moderato | Nadia Boulanger, Isang Enders, Sun-Wook Kim | E♭ Minor | 0 | 2A | 113 BPM | ||
| Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
| Rhapsody on a Theme of Paganini, Op. 43: Var. 16. Allegretto | Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | F♯ Major | 0 | 2B | 114 BPM | ||
| 3 Aspekter af Mørket: Mørke III | Lars Hegaard, Marianne Lund | G Major | 1 | 9B | 96 BPM | ||
| Clarinet Quintet No. 3, Op. 23: Adagio | Carl Baermann, Michael Collins, Michael McHale | D♭ Major | 0 | 3B | 128 BPM | ||
| By this river | Brian Eno, Trio Fibonacci | D Major | 1 | 10B | 78 BPM | ||
| Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM |