Charlie Parr's 'Come Along and See' had a release date set for June 17, 2008. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Roustabout". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Australia. In terms of popularity, Come Along and See is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Come Along and See by Charlie Parr having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cheap Wine | Charlie Parr | G Minor | 4 | 6A | 114 BPM | ||
| Those Were (Could've Been) the Days | The Deslondes, Sam Doores | C Major | 8 | 8B | 125 BPM | ||
| Whiskey | Horseshoes & Hand Grenades | A Major | 4 | 11B | 143 BPM | ||
| 500 Miles | The Tillers | A Major | 7 | 11B | 114 BPM | ||
| Tongues of Fire | Joseph Huber | D Major | 6 | 10B | 120 BPM | ||
| Rosie | The Lowest Pair | E Major | 4 | 12B | 96 BPM | ||
| The Muse | The Wood Brothers | C Major | 4 | 8B | 65 BPM | ||
| Utah Maid | Pixie and The Partygrass Boys | A Major | 6 | 11B | 147 BPM | ||
| To Be Young (Is To Be Sad, Is To Be High) | Dave Rawlings Machine | A Major | 8 | 11B | 178 BPM | ||
| All over Now | Woody Pines | B♭ Major | 2 | 6B | 88 BPM | ||
| On Fading Away | Charlie Parr | B♭ Minor | 3 | 3A | 115 BPM | ||
| Tell It To Me | Old Crow Medicine Show | E Minor | 5 | 9A | 166 BPM | ||
| I Hear Them All | Dave Rawlings Machine | G Major | 1 | 9B | 94 BPM | ||
| There Will Be Nights When I'm Lonely | Possessed by Paul James | D♭ Major | 5 | 3B | 199 BPM | ||
| 1922 Blues | Charlie Parr | A Major | 6 | 11B | 117 BPM | ||
| Make A New Start | Jason Dea West | A Major | 5 | 11B | 155 BPM | ||
| Canyoneers | Jake Xerxes Fussell | E♭ Major | 2 | 5B | 148 BPM | ||
| Mama, You Been on My Mind | 10 String Symphony | F♯ Minor | 1 | 11A | 120 BPM | ||
| Ida Red | Anna & Elizabeth | C Major | 2 | 8B | 104 BPM | ||
| I Do My Father's Drugs | Joe Pug | E Minor | 4 | 9A | 90 BPM | ||
| Motor’s Fried | John R. Miller | D Major | 5 | 10B | 91 BPM | ||
| Remember Me If I Forget | Charlie Parr | F♯ Major | 0 | 2B | 117 BPM | ||
| Keeping Me Goin' | Josh Okeefe | A♭ Major | 4 | 4B | 114 BPM | ||
| Little Sadie | The Dead Tongues | C Major | 7 | 8B | 97 BPM | ||
| Black Dresses | The Builders and The Butchers | E Minor | 7 | 9A | 153 BPM |