Emad Sayyah's ' "Slave To The Rhythm" was released on its scheduled release date, February 15, 2012. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Slave To The Rhythm's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Tabla Solo 4 U". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Austria. In terms of popularity, Slave To The Rhythm is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Slave To The Rhythm by Emad Sayyah having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Presentación (Awd2) | Raffi Avakian | G Minor | 9 | 6A | 130 BPM | ||
| Drum Cia Igor Kischka | Carlos Estevez | B♭ Minor | 8 | 3A | 104 BPM | ||
| Tannoura | Gizira Band | D♭ Major | 9 | 3B | 106 BPM | ||
| Sound of Darbuka | Yasar Akpence | F♯ Major | 10 | 2B | 142 BPM | ||
| Camel's Rhythm (Percussion) | Upper Egypt Ensemble | D♭ Major | 9 | 3B | 119 BPM | ||
| Last Change | Yasar Akpence | C Major | 9 | 8B | 135 BPM | ||
| Asena | Asena | A Major | 7 | 11B | 131 BPM | ||
| Love Of Bedouin | Yasar Akpence | C Major | 9 | 8B | 95 BPM | ||
| Gana El Hawa | Dr Samy Farag | E Minor | 8 | 9A | 106 BPM | ||
| Jelly Belly Dance | Emad Sayyah | B♭ Minor | 8 | 3A | 140 BPM | ||
| Aziza | Salatin Al Tarab Orchestra | G Major | 5 | 9B | 123 BPM | ||
| Shatti Ya Dunya | Salatin Al Tarab Orchestra | C Major | 7 | 8B | 110 BPM | ||
| Nadia | Al-Ahram Orchestra | F Minor | 5 | 4A | 95 BPM | ||
| Saidi Rara (Egyptian Cane Dance) | Al-Ahram Orchestra | G Major | 9 | 9B | 189 BPM | ||
| Souher Zaki Fi Balady | Samir Soror | F Major | 6 | 7B | 153 BPM | ||
| Jalilah's Balady | Mokhtar al Said, El Farka el Mesaya | C Major | 6 | 8B | 169 BPM | ||
| Baladi Ya Waad | Aziza | A♭ Major | 6 | 4B | 103 BPM | ||
| Darbuka Solo, Pt. 4 | Bünyamin Olguncan | A♭ Minor | 8 | 1A | 150 BPM | ||
| Arabian Nights | Bünyamin Olguncan | D Major | 8 | 10B | 130 BPM | ||
| Ahlam ( Dreams) | Dr Samy Farag | F Minor | 7 | 4A | 95 BPM | ||
| Leylet Hob | Judy Jihan Reda | F Major | 7 | 7B | 147 BPM | ||
| Shimmabulous | Issam Houshan | E Minor | 9 | 9A | 101 BPM | ||
| Ghali | Emad Sayyah, Abdo Manssour, Turgay Ucar, Nihat Karslioglu, Bernhard Adlberger, Imed Ben Hassine, Antonia-Alexa Georgiew, Ghassan Habib, Ronny Heller | F Minor | 6 | 4A | 130 BPM | ||
| Yalla, Yalla, Yalla | Emad Sayyah, Ronny Heller, Imed Ben Hassine, Nihat Karslioglu | D Major | 9 | 10B | 129 BPM | ||
| Baladi Accordion Piece | Nesma | C Major | 5 | 8B | 130 BPM |