Niladri Kumar's 'Right Meets Left' had a release date set for March 11, 2014. This song is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Plucked". In this album, this song's track order is #9. Furthermore, we believe that the track originated from India. Right Meets Left is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Right Meets Left by Niladri Kumar having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Naina Laagey | Midival Punditz | F Major | 5 | 7B | 115 BPM | ||
| The Meaning | Ricky Kej | A Minor | 3 | 8A | 140 BPM | ||
| Raga Bhairavi - Ustad Amjad Ali Khan | Ustad Amjad Ali Khan | F Major | 6 | 7B | 107 BPM | ||
| Sitar-e-bachchan | Niladri Kumar | D Major | 8 | 10B | 180 BPM | ||
| Indian Sunrise | Abhinav Saxena | D Major | 3 | 10B | 119 BPM | ||
| Ektaal | Zakir Hussain | F♯ Major | 9 | 2B | 133 BPM | ||
| Dream (Raag Tilak Nat) - Radio Edit | Niladri Kumar | D Major | 6 | 10B | 161 BPM | ||
| Closing | Alam Khan | C Major | 2 | 8B | 93 BPM | ||
| Saiyyan Flute | Lakhinandan Lahon | D Major | 2 | 10B | 149 BPM | ||
| Piya Bina (Instrumental) | Purbayan Chattejee | A Major | 6 | 11B | 92 BPM | ||
| Rebirth | Midival Punditz | D Major | 4 | 10B | 124 BPM | ||
| Head To The Heart | Niladri Kumar, Rashid Ali | D Major | 8 | 10B | 180 BPM | ||
| A Heer | Meghdeep Bose, Rasika Shekar, Amritanshu Dutta, Megha Rawoot | G Major | 5 | 9B | 150 BPM | ||
| Nostalgia | Phani Narayana, Sai Madhukar | D Minor | 4 | 7A | 180 BPM | ||
| Darbari Blues | Naad | F Minor | 8 | 4A | 135 BPM | ||
| Krishna Murali (Soulful Flute & Guitar) | kiran Baral | E Major | 2 | 12B | 176 BPM | ||
| Rimjhim Gire Sawan - Instrumental | Kishore Kumar, Amritanshu Dutta | D Minor | 3 | 7A | 106 BPM | ||
| Swami Samarth Tarakmantra | Flutewala | E♭ Major | 1 | 5B | 130 BPM | ||
| Lag Ja Gale - Santoor | Ninad Daithankar | A Major | 1 | 11B | 125 BPM | ||
| The Awakening | Ricky Kej, Charanraj MR | F Major | 8 | 7B | 170 BPM | ||
| Hum Bewafa Hargiz Na Thay (Unwind Instrumental) | Purbayan Chattejee, Paras Nath | A Major | 3 | 11B | 113 BPM | ||
| The Blue Stain | Niladri Kumar | D Minor | 5 | 7A | 180 BPM | ||
| Sukoon | Raghav Sachar, Naveen Kumar | D Minor | 5 | 7A | 126 BPM | ||
| Hanuman Chalisa - Instrumental | Acoustic Trips | E Major | 5 | 12B | 150 BPM | ||
| Shri Krishna Govind (Instrumental) | Tejas Vinchurkar | D♭ Major | 5 | 3B | 92 BPM |