Robert Stolz, Renate Holm, Rudolf Schock, Vienna State Opera Orchestra's 'Two Hearts In Three-Quarter Time: Zwei Herzen Im Dreivierteltakt' had a release date set for June 29, 2022. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Two Hearts In Three-Quarter Time: Zwei Herzen Im Dreivierteltakt's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 15 in Classical Dream Time, Vol. 7 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Two Hearts In Three-Quarter Time: Zwei Herzen Im Dreivierteltakt's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Two Hearts In Three-Quarter Time: Zwei Herzen Im Dreivierteltakt by Robert Stolz, Renate Holm, Rudolf Schock, Vienna State Opera Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Der Vogelhändler: Ich bin die Christel von der Post | Carl Zeller, Renate Holm, Frank Fox | E Major | 2 | 12B | 78 BPM | ||
| Luftig und duftig, OP. 206 | Eduard Strauss, Wiener Johann Strauss Orchester, Franz Bauer-Theussl | D Major | 4 | 10B | 78 BPM | ||
| Vals del Tesoro | George Henkla | C Major | 2 | 8B | 92 BPM | ||
| Quecksilber (Polka schnell) | Carl Millöcker, Nürnberger Philharmoniker, Christian Simonis | D Major | 4 | 10B | 114 BPM | ||
| La Malle-Post: La Malle-Post, galop (Orch. C. Pollack) [Orch. C. Pollack] | Louis Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | E Major | 1 | 12B | 177 BPM | ||
| Donna Diana: Overture | Emil Nikolaus von Reznicek, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 102 BPM | ||
| Poppa Piccolino | Mantovani & His Orchestra | E Minor | 2 | 9A | 93 BPM | ||
| Freude schöner Götterfunken | The Romantic Sound Orchestra | F Major | 2 | 7B | 118 BPM | ||
| Sinfonía n. 1 en do mayor (Opus 21) | Ludwig van Beethoven, Waldo De Los Ríos | C Major | 7 | 8B | 133 BPM | ||
| Die Zirkusprinzessin: Wo ist der Himmel so blau wie in Wien | Emmerich Kálmán, Robert Stolz | E♭ Major | 3 | 5B | 89 BPM | ||
| Hofballtänze, Op. 161 | Joseph Lanner, Robert Stolz | E Major | 2 | 12B | 97 BPM | ||
| Offenbach: Les contes d'Hoffmann, Act 3: Barcarolle | Jacques Offenbach, Herbert von Karajan, Philharmonia Orchestra | D Major | 0 | 10B | 65 BPM | ||
| "Wien, Wien nur du allein" | Rudolf Sieczynski, Fritz Wunderlich, Vienna Volksoper Orchestra, Robert Stolz | G Major | 4 | 9B | 77 BPM | ||
| Barataria-Marsch, Op. 47 | Karl Komzàk, Sr., Robert Stolz, Berliner Symphoniker | G Major | 5 | 9B | 118 BPM | ||
| Annern-Polkaern Polka | Walzer Orchestra | C Major | 3 | 8B | 90 BPM | ||
| Deborah Polka-Mazurka (1857) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Minor | 2 | 9A | 134 BPM | ||
| Walzer B-Moll - Waltz B-Minor (Symphony No.8) | Ricci Ferra | G Minor | 4 | 6A | 92 BPM | ||
| Das Lied ist aus (Frag' nicht, warum ich gehe) - 1992 Remastered Version | Robert Stolz, Nicolai Gedda, Symphonieorchester Graunke | C Major | 3 | 8B | 77 BPM | ||
| Allerlei, Op. 219 | Josef Strauss, Willi Boskovsky, Wiener Johann Strauss Orchester | D Major | 3 | 10B | 82 BPM | ||
| Cæcilie Vals (1852) | Hans Christian Lumbye, Tivoli Symphony Orchestra | B Major | 1 | 1B | 172 BPM | ||
| Mein Liebeslied muß ein Walzer sein! (Lied & Walzer aus dem Singspiel "Im weißen Rössl") - 1992 Remastered Version | Robert Stolz, Symphonieorchester Graunke, Anneliese Rothenberger | C Major | 4 | 8B | 87 BPM | ||
| Bahn frei, Op. 45 | Eduard Strauss, Willi Boskovsky, Wiener Johann Strauss Orchester | F Major | 6 | 7B | 157 BPM | ||
| Walzer, Op.138, "Schlittschuhlaufer" | Émile Waldteufel, Schwanen Salon Orchestra, Georg Huber | A Major | 1 | 11B | 88 BPM | ||
| Auf einem Persischen Markt | Albert Ketèlbey, André Rieu, Johann Strauss Orchestra | F Major | 3 | 7B | 112 BPM | ||
| ウイーンの森の物語 | Orchestra Marco Mantovani | F Major | 1 | 7B | 85 BPM |