Gil Scott-Heron's ' "The Other Side, Part II" was released on its scheduled release date, 1994. This song is about six minutes long, preciously at 6:10, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Spirits". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. In terms of popularity, The Other Side, Part II is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With The Other Side, Part II by Gil Scott-Heron having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 1/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don't Do It | Syl Johnson | B Minor | 4 | 10A | 94 BPM | ||
| Sunday and Sister Jones | Roberta Flack | E♭ Minor | 4 | 2A | 143 BPM | ||
| He's A Superstar | Roy Ayers Ubiquity | G Minor | 7 | 6A | 117 BPM | ||
| Be Thankful for What You Got | William DeVaughn | D♭ Minor | 4 | 12A | 93 BPM | ||
| Whatcha See Is Whatcha Get | The Dramatics | F♯ Major | 7 | 2B | 153 BPM | ||
| Zion I | Cymande | B Major | 6 | 1B | 134 BPM | ||
| The Train from Washington | Gil Scott-Heron | E Minor | 5 | 9A | 117 BPM | ||
| Express Yourself | Charles Wright & The Watts 103rd Street Rhythm Band | A♭ Major | 7 | 4B | 92 BPM | ||
| My Momma and My Poppa | Darondo | A Major | 6 | 11B | 102 BPM | ||
| Amen Brother | The Winstons | D♭ Major | 7 | 3B | 130 BPM | ||
| Is It Because I'm Black | Syl Johnson | A♭ Minor | 5 | 1A | 135 BPM | ||
| Hang on in There | Mike James Kirkland | F Minor | 6 | 4A | 81 BPM | ||
| The Ghetto | Donny Hathaway | F Minor | 5 | 4A | 114 BPM | ||
| Shakara | Fela Kuti | D♭ Major | 7 | 3B | 120 BPM | ||
| Is There Any Love? | Trevor Dandy | D♭ Major | 5 | 3B | 83 BPM | ||
| Observatory Crest | Captain Beefheart & His Magic Band | G Major | 4 | 9B | 95 BPM | ||
| Groovin' | Willie Mitchell | F Major | 4 | 7B | 169 BPM | ||
| Stepping Into Tomorrow | Donald Byrd | B Minor | 9 | 10A | 148 BPM | ||
| Too High | Stevie Wonder | E Minor | 6 | 9A | 99 BPM | ||
| Flight-Time | Donald Byrd | F Major | 8 | 7B | 114 BPM | ||
| Am I Black Enough for You? | Billy Paul | A♭ Major | 9 | 4B | 191 BPM | ||
| Hercules | Aaron Neville | A♭ Minor | 5 | 1A | 167 BPM | ||
| Tezeta | Mulatu Astatke | B♭ Major | 3 | 6B | 81 BPM | ||
| Honky Tonk | Miles Davis | A♭ Major | 6 | 4B | 96 BPM | ||
| Jungle Man | The Meters | E Minor | 4 | 9A | 89 BPM |